Tawny Lemming (Georychus helvolus) and Back’s Lemming (Georychus trimucronatus) by John Woodhouse Audubon, 1845
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Choose two eligible works and receive 20% off both. Choose three and the lowest-priced one is complimentary, a maximum saving of 33%.
Mix and match eligible standard maps and fine-art prints. No code is required; the offer is applied automatically at checkout.
Standard made-to-order configurations are included. Bespoke sizes, personalised designs and commissioned work are excluded.
Need delivery to different addresses? Contact us before ordering.The Collector’s Offer
Choose two eligible works and receive 20% off both. Choose three and the lowest-priced one is complimentary, a maximum saving of 33%.
Mix and match eligible standard maps and fine-art prints. No code is required; the offer is applied automatically at checkout.
Standard made-to-order configurations are included. Bespoke sizes, personalised designs and commissioned work are excluded.
Need delivery to different addresses? Contact us before ordering.
Restored in London • Made in the UK
Authentic artwork
The artwork we print is faithfully restored from the original source - usually a museum, auction house or private collection.
We never replace, redraw or invent the artist’s work using generative AI.
Restored from the original 1845 artwork and printed to museum-grade archival standards. Read the story behind this artwork
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Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
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Fig. 1. Georychus helvolus, Tawny Lemming. Natural size; Fig. 2. Georychus trimucronatus, Back’s Lemming. Natural size by John Woodhouse Audubon introduces two...
Continue readingFig. 1. Georychus helvolus, Tawny Lemming. Natural size; Fig. 2. Georychus trimucronatus, Back’s Lemming. Natural size by John Woodhouse Audubon introduces two Arctic rodents rendered with the calm precision that defined 19th‑century natural history plates. Created in 1845 during the high tide of Victorian zoological illustration, the composition balances scientific clarity with quiet beauty: a pair of “natural size” studies set against a gently suggested landscape of grass, water, and distant, blue‑grey hills. The restrained setting keeps attention on the animals’ forms and markings, a hallmark of Audubon’s careful field observation and draftsmanship.
Your print is produced as a high‑quality fine art reproduction on your choice of acid‑free archival paper or artist’s cotton canvas. The Unique Maps Co. offers a range of sizes (from small study to statement piece), professional framing in several finishes, and optional personalization—add a commemorative title line, date, or short dedication. Each print uses museum‑grade pigment inks and preserves the original captioning and plate layout for an authentic period look.
John Woodhouse Audubon, the gifted son and collaborator of John James Audubon, carried forward the family’s devotion to documenting North American wildlife. He contributed extensively to mid‑19th‑century expeditions and studio work on quadrupeds, combining measured accuracy with painterly sensitivity. His plates are valued not only as scientific documents but also as artworks that capture the character and posture of the animals they portray.
This sheet features two lemmings identified on the plate as Georychus helvolus (Tawny Lemming) and Georychus trimucronatus (Back’s Lemming), shown at “natural size” to emphasize proportion and scale. The careful rendering of whiskers, forepaws, and pelage patterns reflects the period’s drive toward classification and public education, inviting viewers to compare the species’ profiles, coloration, and silhouettes. The inclusion of a low shoreline and vegetated foreground—rather than a dramatic narrative scene—keeps the focus squarely on morphology and field marks, true to the scientific goals of the era.
Color is handled with quiet confidence: warm tawny‑orange fur tones meet creamy whites and pale yellow highlights, set off by cool, receding notes of slate‑blue and grey in the mountains. Soft, blended strokes model volume without fuss, while the organic patterns of grass and stone lend a natural rhythm to the page. The result is a serene, study‑ready image that bridges art and science—equally at home in a library, study, nursery, or modern living room.
This timeless natural history plate makes a thoughtful, learned gift for wildlife lovers, zoologists, and design aficionados alike—perfect for birthdays, housewarmings, graduations, or Christmas, and a charming keepsake for anyone fascinated by northern landscapes and the small, resilient creatures that inhabit them.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Fig. 1. Georychus helvolus, Tawny Lemming. Natural size; Fig. 2. Georychus trimucronatus, Back’s Lemming. Natural size by John Woodhouse Audubon introduces two Arctic rodents rendered with the calm precision that defined 19th‑century natural history plates. Created in 1845 during the high tide of Victorian zoological illustration, the composition balances scientific clarity with quiet beauty: a pair of “natural size” studies set against a gently suggested landscape of grass, water, and distant, blue‑grey hills. The restrained setting keeps attention on the animals’ forms and markings, a hallmark of Audubon’s careful field observation and draftsmanship.
Your print is produced as a high‑quality fine art reproduction on your choice of acid‑free archival paper or artist’s cotton canvas. The Unique Maps Co. offers a range of sizes (from small study to statement piece), professional framing in several finishes, and optional personalization—add a commemorative title line, date, or short dedication. Each print uses museum‑grade pigment inks and preserves the original captioning and plate layout for an authentic period look.
John Woodhouse Audubon, the gifted son and collaborator of John James Audubon, carried forward the family’s devotion to documenting North American wildlife. He contributed extensively to mid‑19th‑century expeditions and studio work on quadrupeds, combining measured accuracy with painterly sensitivity. His plates are valued not only as scientific documents but also as artworks that capture the character and posture of the animals they portray.
This sheet features two lemmings identified on the plate as Georychus helvolus (Tawny Lemming) and Georychus trimucronatus (Back’s Lemming), shown at “natural size” to emphasize proportion and scale. The careful rendering of whiskers, forepaws, and pelage patterns reflects the period’s drive toward classification and public education, inviting viewers to compare the species’ profiles, coloration, and silhouettes. The inclusion of a low shoreline and vegetated foreground—rather than a dramatic narrative scene—keeps the focus squarely on morphology and field marks, true to the scientific goals of the era.
Color is handled with quiet confidence: warm tawny‑orange fur tones meet creamy whites and pale yellow highlights, set off by cool, receding notes of slate‑blue and grey in the mountains. Soft, blended strokes model volume without fuss, while the organic patterns of grass and stone lend a natural rhythm to the page. The result is a serene, study‑ready image that bridges art and science—equally at home in a library, study, nursery, or modern living room.
This timeless natural history plate makes a thoughtful, learned gift for wildlife lovers, zoologists, and design aficionados alike—perfect for birthdays, housewarmings, graduations, or Christmas, and a charming keepsake for anyone fascinated by northern landscapes and the small, resilient creatures that inhabit them.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Every restored art print begins with the original artist’s work—never an AI-generated replacement.
Our London studio works from carefully selected source material from museums, libraries, archives and private collections. We restore age-related damage, faded colour and imperfect reproduction while preserving the artist’s composition, brushwork, line, texture and period character.
We do not use generative AI to redraw, reinterpret or invent the artwork. Digital restoration is used only to recover and reproduce the original work as faithfully as possible.
Once restored, the master artwork is prepared for your chosen size and finish. Your piece is then printed and, where selected, framed close to its delivery destination.
Our giclée art prints use acid-free 200gsm archival matte paper and fade-resistant pigment inks for a rich, museum-quality finish. Framed art prints use crystal-clear optical acrylic and arrive ready to hang.
Framed canvas and specialist cotton-rag editions are also available. Learn more about our materials and finishes.
If you are not happy with your order for any reason, contact me and I'll get it fixed ASAP, free of charge. Please see my returns and refund policy for more information.
I am very confident you will like your restored map or art print. I have been doing this since 1984. I'm a 5-star Etsy seller. I have sold tens of thousands of maps and art prints and have over 5,000 real 5-star reviews. My work has been featured in interior design magazines, on the BBC, and on the walls of dozens of 5-star hotels.
I use a unique process to restore maps and artwork that is massively time consuming and labour intensive. Hunting down the original maps and illustrations can take months. I use state of the art and eye-wateringly expensive technology to scan and restore them. As a result, I guarantee my maps and art prints are a cut above the rest. I stand by my products and will always make sure you're 100% happy with what you receive.
Almost all of my maps and art prints look amazing at large sizes (200cm, 6.5ft+) and I can frame and deliver them to you as well, via special oversized courier. Contact me to discuss your specific needs.
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Fig. 1. Georychus helvolus, Tawny Lemming. Natural size; Fig. 2. Georychus trimucronatus, Back’s Lemming. Natural size by John Woodhouse Audubon introduces two Arctic rodents rendered with the calm precision that defined 19th‑century natural history plates. Created in 1845 during the high tide of Victorian zoological illustration, the composition balances scientific clarity with quiet beauty: a pair of “natural size” studies set against a gently suggested landscape of grass, water, and distant, blue‑grey hills. The restrained setting keeps attention on the animals’ forms and markings, a hallmark of Audubon’s careful field observation and draftsmanship.
Your print is produced as a high‑quality fine art reproduction on your choice of acid‑free archival paper or artist’s cotton canvas. The Unique Maps Co. offers a range of sizes (from small study to statement piece), professional framing in several finishes, and optional personalization—add a commemorative title line, date, or short dedication. Each print uses museum‑grade pigment inks and preserves the original captioning and plate layout for an authentic period look.
John Woodhouse Audubon, the gifted son and collaborator of John James Audubon, carried forward the family’s devotion to documenting North American wildlife. He contributed extensively to mid‑19th‑century expeditions and studio work on quadrupeds, combining measured accuracy with painterly sensitivity. His plates are valued not only as scientific documents but also as artworks that capture the character and posture of the animals they portray.
This sheet features two lemmings identified on the plate as Georychus helvolus (Tawny Lemming) and Georychus trimucronatus (Back’s Lemming), shown at “natural size” to emphasize proportion and scale. The careful rendering of whiskers, forepaws, and pelage patterns reflects the period’s drive toward classification and public education, inviting viewers to compare the species’ profiles, coloration, and silhouettes. The inclusion of a low shoreline and vegetated foreground—rather than a dramatic narrative scene—keeps the focus squarely on morphology and field marks, true to the scientific goals of the era.
Color is handled with quiet confidence: warm tawny‑orange fur tones meet creamy whites and pale yellow highlights, set off by cool, receding notes of slate‑blue and grey in the mountains. Soft, blended strokes model volume without fuss, while the organic patterns of grass and stone lend a natural rhythm to the page. The result is a serene, study‑ready image that bridges art and science—equally at home in a library, study, nursery, or modern living room.
This timeless natural history plate makes a thoughtful, learned gift for wildlife lovers, zoologists, and design aficionados alike—perfect for birthdays, housewarmings, graduations, or Christmas, and a charming keepsake for anyone fascinated by northern landscapes and the small, resilient creatures that inhabit them.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
