Bees, Wasps, and Ants (Hymenoptera, Plate 33) by Frederick DuCane Godman, 1879
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Need delivery to different addresses? Contact us before ordering.The Collector’s Offer
Choose two eligible works and receive 20% off both. Choose three and the lowest-priced one is complimentary, a maximum saving of 33%.
Mix and match eligible standard maps and fine-art prints. No code is required; the offer is applied automatically at checkout.
Standard made-to-order configurations are included. Bespoke sizes, personalised designs and commissioned work are excluded.
Need delivery to different addresses? Contact us before ordering.
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Restored from the original 1879 artwork and printed to museum-grade archival standards. Read the story behind this artwork
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Insecta Hymenoptera Pl. 33 (1879) by Frederick DuCane Godman captures the Victorian passion for cataloguing nature with scientific grace. Godman, an English...
Continue readingInsecta Hymenoptera Pl. 33 (1879) by Frederick DuCane Godman captures the Victorian passion for cataloguing nature with scientific grace. Godman, an English naturalist and discerning collector, was celebrated for advancing zoology and entomology and for championing ambitious catalogues of biodiversity. This plate presents members of the order Hymenoptera—ants, wasps, and bees—arrayed as precise specimens on a clean, light ground. The composition synthesizes taxonomy and aesthetics, reflecting a moment in the late nineteenth century when visual clarity was considered indispensable to scientific understanding.
This listing is for a museum-quality fine art print of Godman’s Victorian zoological illustration, produced by The Unique Maps Co. Choose from acid-free archival paper or artist’s cotton canvas, each printed with long-lasting, pigment-based inks. Multiple sizes are available, from study-friendly formats to statement pieces. Add a ready-to-hang frame, select a mat style, or request bespoke captions and sizing—our studio can personalize and customize your print to suit your space.
Frederick DuCane Godman (1834–1919) was a leading figure in British natural history, known for assembling vast collections and supporting meticulous scholarship. His collaborations helped document an extraordinary range of flora and fauna, and his patronage and editorial work fostered some of the nineteenth century’s most influential natural history publications. Godman’s dedication to accuracy and his insistence on exemplary illustration made plates like this one enduring references for both scholars and enthusiasts.
Hymenoptera is among the most ecologically important orders, encompassing social insects that shape ecosystems and pollinators essential to agriculture. In this plate, the clear separation of specimens against a bright, uncluttered ground mirrors Victorian methodologies: each insect is presented to emphasize diagnostic features, with careful attention to comparative scale and morphology. The resulting image is both an educational tool and a cultural artifact from an era fascinated by classification and discovery.
A restrained, earthy palette heightens legibility without sacrificing beauty: warm beige and tobacco-brown bodies, amber-orange markings, and subtle yellow notes unfold on a crisp white field. Fine, disciplined linework captures wing venation, segmented antennae, and delicate hair, while soft, transparent shading builds dimensionality. The balanced spacing and thoughtful layout guide the eye from specimen to specimen, making this an elegant focal point for a study, library, or modern living room. For those who appreciate scientific nomenclature, the work centers on the order Hymenoptera; common families represented in such plates often include Formicidae (ants), Vespidae (wasps), and Apidae (bees), underscoring the plate’s relevance for naturalists, beekeepers, and design lovers alike.
Thoughtful and refined, this print makes a distinctive gift for Christmas, Father’s Day, Mother’s Day, or a housewarming. It’s equally meaningful for a recent graduate in biology, a beekeeper or gardener, an entomology enthusiast, or anyone who loves the timeless intersection of art and science.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Insecta Hymenoptera Pl. 33 (1879) by Frederick DuCane Godman captures the Victorian passion for cataloguing nature with scientific grace. Godman, an English naturalist and discerning collector, was celebrated for advancing zoology and entomology and for championing ambitious catalogues of biodiversity. This plate presents members of the order Hymenoptera—ants, wasps, and bees—arrayed as precise specimens on a clean, light ground. The composition synthesizes taxonomy and aesthetics, reflecting a moment in the late nineteenth century when visual clarity was considered indispensable to scientific understanding.
This listing is for a museum-quality fine art print of Godman’s Victorian zoological illustration, produced by The Unique Maps Co. Choose from acid-free archival paper or artist’s cotton canvas, each printed with long-lasting, pigment-based inks. Multiple sizes are available, from study-friendly formats to statement pieces. Add a ready-to-hang frame, select a mat style, or request bespoke captions and sizing—our studio can personalize and customize your print to suit your space.
Frederick DuCane Godman (1834–1919) was a leading figure in British natural history, known for assembling vast collections and supporting meticulous scholarship. His collaborations helped document an extraordinary range of flora and fauna, and his patronage and editorial work fostered some of the nineteenth century’s most influential natural history publications. Godman’s dedication to accuracy and his insistence on exemplary illustration made plates like this one enduring references for both scholars and enthusiasts.
Hymenoptera is among the most ecologically important orders, encompassing social insects that shape ecosystems and pollinators essential to agriculture. In this plate, the clear separation of specimens against a bright, uncluttered ground mirrors Victorian methodologies: each insect is presented to emphasize diagnostic features, with careful attention to comparative scale and morphology. The resulting image is both an educational tool and a cultural artifact from an era fascinated by classification and discovery.
A restrained, earthy palette heightens legibility without sacrificing beauty: warm beige and tobacco-brown bodies, amber-orange markings, and subtle yellow notes unfold on a crisp white field. Fine, disciplined linework captures wing venation, segmented antennae, and delicate hair, while soft, transparent shading builds dimensionality. The balanced spacing and thoughtful layout guide the eye from specimen to specimen, making this an elegant focal point for a study, library, or modern living room. For those who appreciate scientific nomenclature, the work centers on the order Hymenoptera; common families represented in such plates often include Formicidae (ants), Vespidae (wasps), and Apidae (bees), underscoring the plate’s relevance for naturalists, beekeepers, and design lovers alike.
Thoughtful and refined, this print makes a distinctive gift for Christmas, Father’s Day, Mother’s Day, or a housewarming. It’s equally meaningful for a recent graduate in biology, a beekeeper or gardener, an entomology enthusiast, or anyone who loves the timeless intersection of art and science.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
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If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
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Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Every restored art print begins with the original artist’s work—never an AI-generated replacement.
Our London studio works from carefully selected source material from museums, libraries, archives and private collections. We restore age-related damage, faded colour and imperfect reproduction while preserving the artist’s composition, brushwork, line, texture and period character.
We do not use generative AI to redraw, reinterpret or invent the artwork. Digital restoration is used only to recover and reproduce the original work as faithfully as possible.
Once restored, the master artwork is prepared for your chosen size and finish. Your piece is then printed and, where selected, framed close to its delivery destination.
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Framed canvas and specialist cotton-rag editions are also available. Learn more about our materials and finishes.
If you are not happy with your order for any reason, contact me and I'll get it fixed ASAP, free of charge. Please see my returns and refund policy for more information.
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Insecta Hymenoptera Pl. 33 (1879) by Frederick DuCane Godman captures the Victorian passion for cataloguing nature with scientific grace. Godman, an English naturalist and discerning collector, was celebrated for advancing zoology and entomology and for championing ambitious catalogues of biodiversity. This plate presents members of the order Hymenoptera—ants, wasps, and bees—arrayed as precise specimens on a clean, light ground. The composition synthesizes taxonomy and aesthetics, reflecting a moment in the late nineteenth century when visual clarity was considered indispensable to scientific understanding.
This listing is for a museum-quality fine art print of Godman’s Victorian zoological illustration, produced by The Unique Maps Co. Choose from acid-free archival paper or artist’s cotton canvas, each printed with long-lasting, pigment-based inks. Multiple sizes are available, from study-friendly formats to statement pieces. Add a ready-to-hang frame, select a mat style, or request bespoke captions and sizing—our studio can personalize and customize your print to suit your space.
Frederick DuCane Godman (1834–1919) was a leading figure in British natural history, known for assembling vast collections and supporting meticulous scholarship. His collaborations helped document an extraordinary range of flora and fauna, and his patronage and editorial work fostered some of the nineteenth century’s most influential natural history publications. Godman’s dedication to accuracy and his insistence on exemplary illustration made plates like this one enduring references for both scholars and enthusiasts.
Hymenoptera is among the most ecologically important orders, encompassing social insects that shape ecosystems and pollinators essential to agriculture. In this plate, the clear separation of specimens against a bright, uncluttered ground mirrors Victorian methodologies: each insect is presented to emphasize diagnostic features, with careful attention to comparative scale and morphology. The resulting image is both an educational tool and a cultural artifact from an era fascinated by classification and discovery.
A restrained, earthy palette heightens legibility without sacrificing beauty: warm beige and tobacco-brown bodies, amber-orange markings, and subtle yellow notes unfold on a crisp white field. Fine, disciplined linework captures wing venation, segmented antennae, and delicate hair, while soft, transparent shading builds dimensionality. The balanced spacing and thoughtful layout guide the eye from specimen to specimen, making this an elegant focal point for a study, library, or modern living room. For those who appreciate scientific nomenclature, the work centers on the order Hymenoptera; common families represented in such plates often include Formicidae (ants), Vespidae (wasps), and Apidae (bees), underscoring the plate’s relevance for naturalists, beekeepers, and design lovers alike.
Thoughtful and refined, this print makes a distinctive gift for Christmas, Father’s Day, Mother’s Day, or a housewarming. It’s equally meaningful for a recent graduate in biology, a beekeeper or gardener, an entomology enthusiast, or anyone who loves the timeless intersection of art and science.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

