Rare Old Zoomorphic Eagle Map of United States by Churchman, 1833: Great Lakes, Mississippi R., Florida, New York City, Texas
Restaurée dans notre atelier londonien à partir de la carte originale de 1833 et imprimée en qualité musée. Description complète
L’offre du collectionneur
Choisissez deux œuvres éligibles et bénéficiez de 20 % de réduction sur les deux. Choisissez-en trois et celle au prix le plus bas est offerte, pour une économie maximale de 33 %.
Associez librement des cartes standard éligibles et des tirages d’art. Aucun code n’est requis ; l’offre est appliquée automatiquement lors du paiement.
Les configurations standard réalisées sur commande sont incluses. Les formats sur mesure, les créations personnalisées et les œuvres commissionnées sont exclus.
Besoin d’une livraison à différentes adresses ? Contactez-nous avant de commander.L’offre du collectionneur
Choisissez deux œuvres éligibles et bénéficiez de 20 % de réduction sur les deux. Choisissez-en trois et celle au prix le plus bas est offerte, pour une économie maximale de 33 %.
Associez librement des cartes standard éligibles et des tirages d’art. Aucun code n’est requis ; l’offre est appliquée automatiquement lors du paiement.
Les configurations standard réalisées sur commande sont incluses. Les formats sur mesure, les créations personnalisées et les œuvres commissionnées sont exclus.
Besoin d’une livraison à différentes adresses ? Contactez-nous avant de commander.
Restauré à Londres • Imprimé et encadré en the UK
Restaurée à partir de la carte originale de 1833 et imprimée en qualité musée. Description complète
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Message cadeau & finition personnalisée

Si vous souhaitez ajouter un message cadeau, ou une finition (puzzle, panneau en aluminium, etc.) qui n'est pas disponible ici, veuillez le demander dans la "note de commande" lors de votre passage à la caisse.
Chaque commande est fabriquée sur mesure, donc si vous avez besoin d'ajuster légèrement la taille, ou d'imprimer sur un matériau inhabituel, faites-le nous savoir. Nous avons réalisé des milliers de commandes personnalisées au fil des ans, donc il n'y a (presque) rien que nous ne puissions gérer.
Vous pouvez également nous contacter avant de passer votre commande, si vous le souhaitez !
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The Eagle Map of the United States Engraved For Rudiments of National Knowledge, issued in 1833, is one of the most imaginative...
Continuer la lectureThe Eagle Map of the United States Engraved For Rudiments of National Knowledge, issued in 1833, is one of the most imaginative expressions of American cartography. Conceived for a didactic text by Joseph Churchman and published in Philadelphia by E. L. Carey & A. Hart, it transforms the young republic into its own national emblem, the eagle—an audacious visual metaphor that entwines geography with identity. States are cleanly delineated, major cities crisply labeled, and waterways summoned to the foreground, yet the composition never loses its allegorical poise. Created during an era of westward momentum and mounting civic pride, the map captures an expanding union at once literal and ideal, rendering the United States as a living, vigilant creature whose stance suggests both protection and promise.
The cartographic conceit is brilliantly sustained through natural features. The eagle’s head crowns New England (with Maine just outside the silhouette), while its watchful eye is set in Vermont. Lakes Ontario and Erie form a curved neckline; Huron and Superior sweep outward as regal wings. Along the lower edge, the bird’s talons grasp the Floridian peninsula, their contours echoing coastal shoals and river mouths. Hydrology is paramount: rivers are meticulously named, lakes contoured, and the arterial Mississippi and its tributaries supply the anatomy’s lifeblood. Early nineteenth-century engraving and restrained color harmonize the illusion, guiding the viewer’s gaze from beak to wingtip while preserving the legibility of every border, river channel, and town.
Politically, the sheet is a document of its moment, with borders and toponyms reflecting the pre-1848 configuration of North America. The once-vast Louisiana domain appears carefully divided into states and territories, tracing the administrative logic that followed the Purchase while still conveying open frontiers beyond the settled line. Regions such as Texas are highlighted, poised on the cusp of their own dramatic transformations. The map’s boundary work—both national and internal—reads like a ledger of ambition, measuring negotiated lines, legislative acts, and surveyor’s chains against the sweep of rivers and ranges. In the eagle’s silhouette, the United States appears coherent and ascending, yet the margins still whisper of futures not yet fixed.
Urban geography anchors the allegory. New York City, Philadelphia, and Boston secure the Atlantic flank; New Orleans and St. Louis punctuate the Mississippi corridor; Chicago, newly emergent on Lake Michigan, hints at the Great Lakes’ rising commercial gravity; Miami appears at the peninsula’s edge, a coastal counterpoint within the taloned South. Each city is set within a hydrological frame—harbors, confluences, and lakeshores—underscoring waterways as engines of exchange and expansion. The labeling of rivers and lakes is more than decorative: it functions as a map of movement, stitching eastern ports to interior markets and the Gulf, and articulating the practical networks that made the eagle’s spread plausible.
Behind the vision stands Joseph Churchman, to whom the text is attributed; the appearance of a brother, James Churchman, in some references may be a later or mistaken ascription. Their project—Rudiments of National Knowledge—married pedagogy and patriotism, enlisting a symbol to teach spatial facts and civic meaning in one unforgettable image. Carey & Hart, among Philadelphia’s most enterprising houses, gave the work its public stage, ensuring the eagle would soar in parlors and classrooms alike. Today, this rare and extraordinary map endures as both ingenious infographic and talisman of the early republic, compressing history, geography, and national self-fashioning into a single, eloquent silhouette.
Cities and towns on this map
- New York City (modern population approx. 8.4 million)
- Chicago (modern population approx. 2.7 million)
- Philadelphia (modern population approx. 1.6 million)
- Miami (modern population approx. 478,000)
- New Orleans (modern population approx. 390,000)
- St. Louis (modern population approx. 300,000)
Notable Features & Landmarks
- The eagle's head positioned over New England (excluding Maine)
- The eagle's eye located in Vermont
- Lakes Ontario and Erie forming part of the eagle's neckline
- Lake Huron and Lake Superior outlined as wings
- Florida shaped by the eagle's talons
- Division of Louisiana into states and territories
- Detailed illustration of major cities
- Hydrological features prominently labeled
- The border outlines corresponding to historical contexts, such as pre-1848 territories
Historical and design context
- Created: 1833
- Mapmaker/Publisher: Joseph & James Churchman; Published by E.L. Carey & A. Hart, Philadelphia
- Interesting context about the mapmaker: The text is attributed to Joseph Churchman, while a brother named James Churchman might be a misattribution.
- Design/style of the map: Zoomorphic eagle superimposed on the U.S., using early 19th-century engraving and color techniques.
- Themes shown: Thematic eagle-shaped depiction emphasizing states, major cities, and hydrological features.
- Countries, regions, and territories shown: United States with all states outlined; notable regions like Texas and the Louisiana territories highlighted.
- Historical significance: Rare and innovative visualization of national identity during a period of rapid U.S. expansion.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 90in (230cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
The Eagle Map of the United States Engraved For Rudiments of National Knowledge, issued in 1833, is one of the most imaginative expressions of American cartography. Conceived for a didactic text by Joseph Churchman and published in Philadelphia by E. L. Carey & A. Hart, it transforms the young republic into its own national emblem, the eagle—an audacious visual metaphor that entwines geography with identity. States are cleanly delineated, major cities crisply labeled, and waterways summoned to the foreground, yet the composition never loses its allegorical poise. Created during an era of westward momentum and mounting civic pride, the map captures an expanding union at once literal and ideal, rendering the United States as a living, vigilant creature whose stance suggests both protection and promise.
The cartographic conceit is brilliantly sustained through natural features. The eagle’s head crowns New England (with Maine just outside the silhouette), while its watchful eye is set in Vermont. Lakes Ontario and Erie form a curved neckline; Huron and Superior sweep outward as regal wings. Along the lower edge, the bird’s talons grasp the Floridian peninsula, their contours echoing coastal shoals and river mouths. Hydrology is paramount: rivers are meticulously named, lakes contoured, and the arterial Mississippi and its tributaries supply the anatomy’s lifeblood. Early nineteenth-century engraving and restrained color harmonize the illusion, guiding the viewer’s gaze from beak to wingtip while preserving the legibility of every border, river channel, and town.
Politically, the sheet is a document of its moment, with borders and toponyms reflecting the pre-1848 configuration of North America. The once-vast Louisiana domain appears carefully divided into states and territories, tracing the administrative logic that followed the Purchase while still conveying open frontiers beyond the settled line. Regions such as Texas are highlighted, poised on the cusp of their own dramatic transformations. The map’s boundary work—both national and internal—reads like a ledger of ambition, measuring negotiated lines, legislative acts, and surveyor’s chains against the sweep of rivers and ranges. In the eagle’s silhouette, the United States appears coherent and ascending, yet the margins still whisper of futures not yet fixed.
Urban geography anchors the allegory. New York City, Philadelphia, and Boston secure the Atlantic flank; New Orleans and St. Louis punctuate the Mississippi corridor; Chicago, newly emergent on Lake Michigan, hints at the Great Lakes’ rising commercial gravity; Miami appears at the peninsula’s edge, a coastal counterpoint within the taloned South. Each city is set within a hydrological frame—harbors, confluences, and lakeshores—underscoring waterways as engines of exchange and expansion. The labeling of rivers and lakes is more than decorative: it functions as a map of movement, stitching eastern ports to interior markets and the Gulf, and articulating the practical networks that made the eagle’s spread plausible.
Behind the vision stands Joseph Churchman, to whom the text is attributed; the appearance of a brother, James Churchman, in some references may be a later or mistaken ascription. Their project—Rudiments of National Knowledge—married pedagogy and patriotism, enlisting a symbol to teach spatial facts and civic meaning in one unforgettable image. Carey & Hart, among Philadelphia’s most enterprising houses, gave the work its public stage, ensuring the eagle would soar in parlors and classrooms alike. Today, this rare and extraordinary map endures as both ingenious infographic and talisman of the early republic, compressing history, geography, and national self-fashioning into a single, eloquent silhouette.
Cities and towns on this map
- New York City (modern population approx. 8.4 million)
- Chicago (modern population approx. 2.7 million)
- Philadelphia (modern population approx. 1.6 million)
- Miami (modern population approx. 478,000)
- New Orleans (modern population approx. 390,000)
- St. Louis (modern population approx. 300,000)
Notable Features & Landmarks
- The eagle's head positioned over New England (excluding Maine)
- The eagle's eye located in Vermont
- Lakes Ontario and Erie forming part of the eagle's neckline
- Lake Huron and Lake Superior outlined as wings
- Florida shaped by the eagle's talons
- Division of Louisiana into states and territories
- Detailed illustration of major cities
- Hydrological features prominently labeled
- The border outlines corresponding to historical contexts, such as pre-1848 territories
Historical and design context
- Created: 1833
- Mapmaker/Publisher: Joseph & James Churchman; Published by E.L. Carey & A. Hart, Philadelphia
- Interesting context about the mapmaker: The text is attributed to Joseph Churchman, while a brother named James Churchman might be a misattribution.
- Design/style of the map: Zoomorphic eagle superimposed on the U.S., using early 19th-century engraving and color techniques.
- Themes shown: Thematic eagle-shaped depiction emphasizing states, major cities, and hydrological features.
- Countries, regions, and territories shown: United States with all states outlined; notable regions like Texas and the Louisiana territories highlighted.
- Historical significance: Rare and innovative visualization of national identity during a period of rapid U.S. expansion.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 90in (230cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Nombre de nos cartes et tirages d’art sont choisis comme cadeaux attentionnés pour des intérieurs, des bureaux, des cabinets de travail et des lieux chargés de sens.
Choisissez une option encadrée pour un cadeau prêt à être accroché en toute simplicité, ou optez pour un tirage non encadré si le destinataire préfère peut-être sélectionner son propre cadre.
Nous fabriquons les commandes localement dans 23 pays à travers le monde, afin que les cadeaux puissent souvent être produits à proximité du destinataire. Cela permet une livraison plus rapide, un transport plus sûr et d’éviter les surprises liées aux frais de douane ou droits d’importation.
- Nous pouvons livrer directement au destinataire
- Les pièces encadrées arrivent prêtes à être accrochées
- Les tirages non encadrés sont soigneusement emballés dans un tube de protection robuste
- Presque chaque commande est fabriquée localement, pour des cadeaux plus rapides et plus sûrs
- Les retours sous 90 jours laissent au destinataire le temps de se décider
Si vous hésitez sur le choix à faire, veuillez nous contacter. Nous pouvons vous aider à choisir la carte, le format, la finition ou l’option de livraison appropriés.
Pour la plupart des commandes, le délai de livraison est d'environ 3 jours ouvrables. Les produits personnalisés et sur mesure prennent plus de temps, car je dois faire la personnalisation et vous l'envoyer pour approbation, ce qui prend généralement 1 ou 2 jours.
Veuillez noter que les grandes commandes encadrées prennent généralement plus de temps à réaliser et à livrer.
Si vous avez besoin que votre commande arrive à une date précise, veuillez me contacter avant de passer votre commande afin que nous puissions trouver le meilleur moyen de nous assurer que vous receviez votre commande à temps.
J'imprime et encadre des cartes et des œuvres d'art dans 23 pays à travers le monde. Cela signifie que votre commande sera réalisée localement, ce qui réduit le temps de livraison et garantit qu'elle ne sera pas endommagée pendant le transport. Vous ne paierez jamais de droits de douane ou d'importation, et nous mettrons moins de CO2 dans l'air.
Toutes mes cartes et impressions artistiques sont bien emballées et envoyées dans un tube robuste si non encadrées, ou entourées de mousse si encadrées.
J'essaie d'envoyer toutes les commandes dans les 1 ou 2 jours suivant la réception de votre commande, bien que certains produits (comme les masques, les mugs et les sacs fourre-tout) puissent prendre plus de temps à réaliser.
Si vous choisissez Livraison Express lors du paiement, nous donnerons la priorité à votre commande et l'enverrons par un service de messagerie de 1 jour (Fedex, DHL, UPS, Parcelforce).
La livraison le lendemain est également disponible dans certains pays (États-Unis, Royaume-Uni, Singapour, Émirats Arabes Unis), mais veuillez essayer de commander tôt dans la journée afin que nous puissions l'envoyer à temps.
Lisez mon guide complet sur la livraison et la production locale
Mon cadre standard est un cadre en bois dur noir de style galerie. Il est simple et a un aspect assez moderne. Mon cadre standard mesure environ 20 mm (0,8 po) de large.
J'utilise de l'acrylique super clair (perspex/acrylite) pour le verre du cadre. C'est plus léger et plus sûr que le verre - et cela a meilleur aspect, car la réflexivité est plus faible.
Six couleurs de cadre standard sont disponibles gratuitement (noir, marron foncé, gris foncé, chêne, blanc et or antique). Des encadrements et montages/matelassages personnalisés sont disponibles si vous recherchez autre chose.
La plupart des cartes, œuvres d'art et illustrations sont également disponibles sous forme de toile encadrée. Nous utilisons une toile en coton mate (non brillante), que nous tendons sur un cadre en bois de boîte provenant de sources durables, puis nous 'flottions' la pièce à l'intérieur d'un cadre en bois. Le résultat final est assez beau, et il n'y a pas de vitrage qui gêne.
Tous les cadres sont fournis "prêts à accrocher", avec soit une corde, soit des supports à l'arrière. Les très grands cadres auront des plaques de suspension lourdes et/ou une latte de montage. Si vous avez des questions, veuillez nous contacter.
Voir quelques exemples de mes cartes encadrées et de cartes en toile encadrées.
Alternativement, je peux également fournir de vieilles cartes et œuvres d'art sur toile, sur panneau en mousse, en coton et d'autres matériaux.
Si vous souhaitez encadrer votre carte ou œuvre d'art vous-même, veuillez lire d'abord mon guide des tailles.
Mes cartes sont des reproductions de cartes originales de très haute qualité.
Je recherche des cartes originales et rares auprès de bibliothèques, de maisons de ventes aux enchères et de collections privées du monde entier, je les restaure dans mon atelier de Londres, puis j'utilise des encres et des imprimantes giclées spécialisées pour créer de magnifiques cartes encore plus belles que l'originale.
Mes cartes sont imprimées sur du papier d’archives mat (non brillant) sans acide qui semble de très haute qualité et ressemble presque à une carte. En termes techniques, le grammage/épaisseur du papier est de 10 mil/200 g/m². C'est parfait pour l'encadrement.
J’imprime avec des encres pigmentaires Epson ultrachrome giclée UV résistantes à la décoloration – certaines des meilleures encres que vous puissiez trouver.
je peux aussi faire cartes sur toile, chiffon en coton et autres matériaux exotiques.
En savoir plus sur Unique Maps Co..
Personnalisation de la carte
Si vous recherchez le cadeau parfait pour un anniversaire ou une pendaison de crémaillère, je peux personnaliser votre carte pour la rendre vraiment unique. Par exemple, je peux ajouter un court message, mettre en évidence un lieu important ou ajouter les armoiries de votre famille.
Les options sont presque infinies. S'il vous plaît voir mon page de personnalisation de la carte pour quelques merveilleux exemples de ce qui est possible.
Pour commander une carte personnalisée, sélectionnez « personnaliser votre carte » avant de l'ajouter à votre panier.
Entrer en contact si vous recherchez des personnalisations et des personnalisations plus complexes.
Vieillissement de la carte
Au fil des ans, des clients m'ont demandé des centaines de fois s'ils pouvaient acheter une carte qui semble uniforme. plus vieux.
Eh bien, vous pouvez désormais le faire en sélectionnant Aged avant d'ajouter une carte à votre panier.
Toutes les photos de produits que vous voyez sur cette page montrent la carte dans sa forme originale. Voilà à quoi ressemble la carte aujourd'hui.
Si vous sélectionnez Vieilli, je vieillirai votre carte à la main, en utilisant un processus spécial et unique développé au cours d'années d'étude de cartes anciennes, de discussions avec des chercheurs pour comprendre la chimie du vieillissement du papier, et bien sûr... beaucoup de pratique !
Si vous n'êtes pas sûr, respectez la couleur originale de la carte. Si vous voulez quelque chose d'un peu plus sombre et plus vieux à la recherche, optez pour Aged.
Si vous n'êtes pas satisfait de votre commande pour une raison quelconque, contactez-moi pour un remboursement sans conditions. Veuillez consulter notre politique de retours et de remboursements pour plus d'informations.
Je suis très confiant que vous aimerez votre carte restaurée ou votre impression artistique. Je fais cela depuis 1984. Je suis un vendeur Etsy 5 étoiles. J'ai vendu des dizaines de milliers de cartes et d'impressions artistiques et j'ai plus de 5 000 vrais avis 5 étoiles.
J'utilise un processus unique pour restaurer des cartes et des œuvres d'art qui est extrêmement chronophage et exigeant en main-d'œuvre. Trouver les cartes et illustrations originales peut prendre des mois. J'utilise une technologie de pointe et incroyablement coûteuse pour les numériser et les restaurer. En conséquence, je garantis que mes cartes et impressions artistiques sont d'une qualité supérieure - c'est pourquoi je peux offrir un remboursement sans conditions.
Presque toutes mes cartes et impressions artistiques ont l'air incroyables en grandes tailles (200 cm, 6,5 pieds+) et je peux également les encadrer et vous les livrer, via un transporteur spécial surdimensionné. Contactez-moi pour discuter de vos besoins spécifiques.
Ou lancez une recherche dans la boutique.
Ce service est actuellement indisponible,
désolé pour le désagrément occasionné.
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The Eagle Map of the United States Engraved For Rudiments of National Knowledge, issued in 1833, is one of the most imaginative expressions of American cartography. Conceived for a didactic text by Joseph Churchman and published in Philadelphia by E. L. Carey & A. Hart, it transforms the young republic into its own national emblem, the eagle—an audacious visual metaphor that entwines geography with identity. States are cleanly delineated, major cities crisply labeled, and waterways summoned to the foreground, yet the composition never loses its allegorical poise. Created during an era of westward momentum and mounting civic pride, the map captures an expanding union at once literal and ideal, rendering the United States as a living, vigilant creature whose stance suggests both protection and promise.
The cartographic conceit is brilliantly sustained through natural features. The eagle’s head crowns New England (with Maine just outside the silhouette), while its watchful eye is set in Vermont. Lakes Ontario and Erie form a curved neckline; Huron and Superior sweep outward as regal wings. Along the lower edge, the bird’s talons grasp the Floridian peninsula, their contours echoing coastal shoals and river mouths. Hydrology is paramount: rivers are meticulously named, lakes contoured, and the arterial Mississippi and its tributaries supply the anatomy’s lifeblood. Early nineteenth-century engraving and restrained color harmonize the illusion, guiding the viewer’s gaze from beak to wingtip while preserving the legibility of every border, river channel, and town.
Politically, the sheet is a document of its moment, with borders and toponyms reflecting the pre-1848 configuration of North America. The once-vast Louisiana domain appears carefully divided into states and territories, tracing the administrative logic that followed the Purchase while still conveying open frontiers beyond the settled line. Regions such as Texas are highlighted, poised on the cusp of their own dramatic transformations. The map’s boundary work—both national and internal—reads like a ledger of ambition, measuring negotiated lines, legislative acts, and surveyor’s chains against the sweep of rivers and ranges. In the eagle’s silhouette, the United States appears coherent and ascending, yet the margins still whisper of futures not yet fixed.
Urban geography anchors the allegory. New York City, Philadelphia, and Boston secure the Atlantic flank; New Orleans and St. Louis punctuate the Mississippi corridor; Chicago, newly emergent on Lake Michigan, hints at the Great Lakes’ rising commercial gravity; Miami appears at the peninsula’s edge, a coastal counterpoint within the taloned South. Each city is set within a hydrological frame—harbors, confluences, and lakeshores—underscoring waterways as engines of exchange and expansion. The labeling of rivers and lakes is more than decorative: it functions as a map of movement, stitching eastern ports to interior markets and the Gulf, and articulating the practical networks that made the eagle’s spread plausible.
Behind the vision stands Joseph Churchman, to whom the text is attributed; the appearance of a brother, James Churchman, in some references may be a later or mistaken ascription. Their project—Rudiments of National Knowledge—married pedagogy and patriotism, enlisting a symbol to teach spatial facts and civic meaning in one unforgettable image. Carey & Hart, among Philadelphia’s most enterprising houses, gave the work its public stage, ensuring the eagle would soar in parlors and classrooms alike. Today, this rare and extraordinary map endures as both ingenious infographic and talisman of the early republic, compressing history, geography, and national self-fashioning into a single, eloquent silhouette.
Cities and towns on this map
- New York City (modern population approx. 8.4 million)
- Chicago (modern population approx. 2.7 million)
- Philadelphia (modern population approx. 1.6 million)
- Miami (modern population approx. 478,000)
- New Orleans (modern population approx. 390,000)
- St. Louis (modern population approx. 300,000)
Notable Features & Landmarks
- The eagle's head positioned over New England (excluding Maine)
- The eagle's eye located in Vermont
- Lakes Ontario and Erie forming part of the eagle's neckline
- Lake Huron and Lake Superior outlined as wings
- Florida shaped by the eagle's talons
- Division of Louisiana into states and territories
- Detailed illustration of major cities
- Hydrological features prominently labeled
- The border outlines corresponding to historical contexts, such as pre-1848 territories
Historical and design context
- Created: 1833
- Mapmaker/Publisher: Joseph & James Churchman; Published by E.L. Carey & A. Hart, Philadelphia
- Interesting context about the mapmaker: The text is attributed to Joseph Churchman, while a brother named James Churchman might be a misattribution.
- Design/style of the map: Zoomorphic eagle superimposed on the U.S., using early 19th-century engraving and color techniques.
- Themes shown: Thematic eagle-shaped depiction emphasizing states, major cities, and hydrological features.
- Countries, regions, and territories shown: United States with all states outlined; notable regions like Texas and the Louisiana territories highlighted.
- Historical significance: Rare and innovative visualization of national identity during a period of rapid U.S. expansion.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 90in (230cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
