{"product_id":"lily-lilium-penduliflorum-by-pierre-joseph-redoute-1802","title":"Lily (Lilium penduliflorum) by Pierre Joseph Redouté, 1802","description":"\u003cp\u003ePierre-Joseph Redouté’s \u003cem\u003eLilium penduliflorum\u003c\/em\u003e, published between 1802 and 1816, presents a single lily as an elegant, self-contained botanical specimen. Its pendant flower occupies the upper part of the composition, the warm orange petals curling outwards around a yellow throat flecked with darker markings. Beneath it, a slender green stem descends through successive tiers of narrow leaves before ending in a delicately described root system. The plant’s graceful droop is balanced by the strong vertical format, while the broad cream ground leaves every contour clearly visible.\u003c\/p\u003e\n\n\u003cp\u003eRedouté was among the most accomplished flower painters and botanical illustrators working in France at the turn of the nineteenth century, particularly celebrated for his studies of lilies and roses. His images belong to a period in which botanical illustration served two closely connected purposes: it recorded the structures by which plants could be examined and classified, yet also answered a cultivated appetite for refined pictures of the natural world. Here, scientific attention and decorative poise are inseparable. The lily is isolated for study, but its bending stem, rhythmic foliage and richly coloured bloom give the plate a carefully orchestrated visual elegance.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe flower itself is shown in profile, hanging from the top of the stem like a small bell. Redouté distinguishes its parts through subtle changes in tone: orange deepens towards the curved edges of the petals, yellow gathers around the throat, and fine dark speckles punctuate the surface. Gentle shading beneath the overlapping petals lends the bloom a convincing sense of volume without disturbing the clarity of its outline. The result is precise but never rigid; the flower appears to possess weight, softness and a natural downward pull.\u003c\/p\u003e\n\n\u003cp\u003eAlong the middle of the plate, the leaves emerge at intervals and arch away from the stem in opposing directions. Their arrangement creates a measured visual rhythm, with longer, darker leaves alternating against shorter forms and paler undersides. Fine veins remain visible within the smooth green surfaces, while the stem bends almost imperceptibly rather than following a mechanically straight axis. These small variations prevent the specimen from becoming diagrammatic and preserve the irregularity of a living plant.\u003c\/p\u003e\n\n\u003cp\u003eAt the lower right, exposed greyish roots provide an understated counterpoint to the brilliant flower above. Their branching lines are finer and more fragile than those of the foliage, grounding the study both literally and botanically. The surrounding negative space allows this transition—from bloom to stem, leaf and root—to be read without obstruction. Below, the Latin name \u003cem\u003eLilium Penduliflorum\u003c\/em\u003e is accompanied by the French \u003cem\u003eLis à fleur pendante\u003c\/em\u003e, linking formal botanical nomenclature with a plainly descriptive name: the lily with the hanging flower.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003eBotanical plates of this period were part of a long tradition in which close observation had to coexist with the practical demands of identification. Redouté’s distinction lies in the ease with which he reconciled those aims. He retained the necessary descriptive information—the growth habit, leaf structure, markings and roots—while arranging each element with the sensitivity of a portraitist. The pale, unoccupied background is especially important: rather than placing the lily in a garden setting, it turns the plant into the sole subject of attention.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eLilium penduliflorum\u003c\/em\u003e rewards both distant and close viewing. From afar, it is a poised arrangement of orange and green; at closer range, the petal speckling, veined leaves and threadlike roots reveal the intensity of Redouté’s observation. That union of botanical clarity and compositional grace explains the lasting appeal of his flower studies to gardeners, natural-history enthusiasts and admirers of early nineteenth-century illustration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 36x24in (90x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"A4 (210x297mm) \/ Art print","offer_id":59998163304832,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59998163337600,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"A4 (210x297mm) \/ Framed canvas","offer_id":59998163370368,"sku":null,"price":70.0,"currency_code":"GBP","in_stock":true},{"title":"12x18in (30x45cm) \/ Art print","offer_id":59998163403136,"sku":null,"price":39.0,"currency_code":"GBP","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed art print","offer_id":59998163435904,"sku":null,"price":105.0,"currency_code":"GBP","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed 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