Ste-Croix and Les Rasses Travel Poster by François Jaques, 1906

4.9 (84 recensioni)
Stampato e incorniciato in Regno Unito
Consegna gratuita in 2–3 giorni
Resi entro 90 giorni · Garanzia di 10 anni
4.8/5 Eccellente
Opera dell’artista originale Mai generata dall’IA
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Restaurata nel nostro laboratorio dall’opera originale del 1906 e stampata in qualità museale. Descrizione completa
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François Jaques’s Ste. Croix – Les Rasses – Schweizer Jura, created in 1906, presents the Swiss Jura as a place of expansive...

François Jaques’s Ste. Croix – Les Rasses – Schweizer Jura, created in 1906, presents the Swiss Jura as a place of expansive pasture, clear mountain air and unhurried rural life. A tall conifer rises through the centre of the vertical composition, its irregular branches silhouetted against a softly glowing sky. Below, two grazing cows occupy a golden-green meadow, while distant ridges recede through muted blue and mauve. The effect is both scenic and graphic: the tree acts as a commanding visual axis, linking the close pastoral foreground to the mountains beyond.

The poster belongs to the flourishing culture of tourism promotion at the beginning of the twentieth century, when rail travel made mountain resorts increasingly accessible and destinations competed through memorable illustrated advertising. Rather than offering a factual panorama, Jaques distils the character of Ste. Croix and Les Rasses into a few persuasive motifs: grazing cattle, open grassland, wooded slopes and an elevated horizon. The prominent wording identifies the resort at “1150 m ü. M.” and places it firmly within the “Schweizer Jura”, making altitude and geography part of its appeal. Landscape here becomes an invitation, shaped for an audience newly able to travel for leisure.

A closer look

The conifer gives the scene its distinctive structure. Its trunk begins near the lower centre and carries the eye upwards, while loosely spaced branches spread across the paler sky. Jaques avoids dense botanical detail; touches of green and brown establish the tree’s texture without weakening its bold silhouette. Because the trunk stands so close to the cows, their rounded bodies and lowered heads appear especially calm beside its strong vertical rise.

Across the lower part of the composition, warm yellow grasses mingle with cooler green, their tonal variation suggesting an uneven, breeze-stirred pasture. One cow is brown and white, the other predominantly brown, and both are integrated into the landscape rather than treated as picturesque emblems in isolation. At the lower right, a modest wooden fence marks the meadow’s edge. These details create a sense of cultivated countryside, poised between farmland and mountain retreat.

The landscape becomes progressively softer with distance. Darker wooded ground gives way to layered ridges in blue-grey and mauve, their contours simplified into broad, legible shapes. Above them, pink and cream clouds gather in gentle bands, crossed by warm light that may suggest either early morning or evening. The restrained modelling preserves depth while retaining the clarity required of a poster. At the foot of the scene, the destination name is set in emphatic lettering, forming a firm graphic base beneath the more atmospheric landscape.

Context and significance

Early travel posters had to communicate rapidly in stations and other busy public settings. Their success depended on a clear hierarchy: an arresting motif at a distance, an appealing impression of place and concise information that could be absorbed at a glance. Jaques’s design answers those demands with unusual economy. The central tree is instantly recognisable, the cattle establish the pastoral character of the region, and the distant mountains promise altitude without overwhelming the scene with Alpine spectacle.

The poster also records how Switzerland was presented to visitors during the Belle Époque. Ste. Croix and Les Rasses are promoted not through urban amenities or crowded recreation, but through spaciousness, tranquillity and close contact with the land. Its appeal lies in that careful balance between observation and idealisation: a recognisable Jura landscape transformed into a lucid, persuasive vision of retreat.

Choosing the right size and finish

Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.

If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.

The model in the listing images is holding the 36x24in (90x60cm) version of this art print.

Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.

Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.

Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.

Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.

Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.

This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.

Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.

Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.

Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.

  • Possiamo consegnare direttamente al destinatario
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Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.

We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.

Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.

Very large framed orders can take a little longer, as they need extra care in production and delivery.

Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.

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Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.

Your order is covered by our 90-day returns policy and 10-year guarantee.

Read our full delivery and local production guide

Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.

We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.

Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.

Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.

All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.

We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.

If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.

Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.

Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.

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