Rainier National Park Travel Poster by Gustav Wilhelm Krollmann, 1920

4.9 (85 recensioni)
Stampato e incorniciato in Regno Unito
Consegna gratuita in 2–3 giorni
Resi entro 90 giorni · Garanzia di 10 anni
4.8/5 Eccellente
Opera dell’artista originale Mai generata dall’IA
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Restaurata nel nostro laboratorio dall’opera originale del 1920 e stampata in qualità museale. Descrizione completa
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Gustav Wilhelm Krollmann’s Rainier National Park, created in 1920, sets the monumental landscape of Washington State against the concentrated energy of rail...

Gustav Wilhelm Krollmann’s Rainier National Park, created in 1920, sets the monumental landscape of Washington State against the concentrated energy of rail travel. Snow-covered peaks rise across the upper left, their pale, sharply lit slopes looming above green valleys and shadowed woodland. Along the lower foreground, a steam train presses into the scene, transforming the mountain view from a remote natural spectacle into an attainable destination.

The poster belongs to an era when American rail companies used graphic art to encourage tourism to the country’s national parks. Established in 1899, Mount Rainier National Park was still comparatively young when Krollmann produced this design, and its combination of immense volcanic terrain, forests and snowfields offered an especially persuasive vision of the Pacific Northwest. Viennese-born and later based in St Paul, Minnesota, Krollmann worked as a painter, illustrator, muralist and travel-poster designer. Here, his painterly sense of atmosphere is disciplined by the direct visual hierarchy required of advertising: mountain first, railway second, destination named without ambiguity.

A closer look

The vertical format intensifies the apparent height of the landscape. Darker, earth-toned ground anchors the base, while overlapping bands of trees, hills and distant ranges carry the eye steadily upwards. Tall evergreens on the right act almost like a natural border, their narrow silhouettes contrasting with the mountain’s broad mass. Across the middle distance, varied greens shift from deep forest tones to brighter yellow-green passages, suggesting sunlight filtering unevenly through the valley.

Above this layered terrain, the snowy summit receives the strongest highlights in the composition. White and cool blue planes stand out crisply against deeper shadows, while soft cloud forms gather near the peaks. The sky itself moves through subtle blue gradations, becoming lighter towards the horizon. These tonal transitions give the mountain an imposing scale without sacrificing the simplified shapes and strong colour contrasts that make the poster legible at a glance.

The train supplies a markedly different rhythm. Its compact machinery, visible wheels and distinctive smokestack introduce repeated curves and hard edges into a landscape otherwise governed by sweeping slopes and vertical trees. It also establishes a diagonal movement from the lower edge towards the mountainous interior. Beneath the scene, “RAINIER NATIONAL PARK” appears in emphatic blue lettering, while the circular “NORTHERN PACIFIC” emblem at lower left uses black and red to create a concentrated graphic accent. Landscape, transport and typography are thus arranged as a single persuasive message.

Context and significance

Early twentieth-century railway posters did more than advertise routes: they helped shape a visual idea of national travel. Vast scenery was presented as adventurous yet accessible, with modern transport acting as the link between urban audiences and distant terrain. Krollmann’s design makes that relationship unusually explicit. The locomotive is not merely an incidental detail but the practical counterpart to the sublime mountain above it.

The poster’s appeal rests on this productive tension between wilderness and infrastructure. Rainier dominates through scale, light and altitude; the railway asserts itself through movement, engineering and bold corporate graphics. Krollmann holds the two in balance, creating a destination poster in which the journey is almost as compelling as the view awaiting at its end.

Choosing the right size and finish

Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.

If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.

The model in the listing images is holding the 18x24in (45x60cm) version of this art print.

Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.

Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.

Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.

Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.

Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.

This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.

Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.

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Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.

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Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.

We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.

Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.

Very large framed orders can take a little longer, as they need extra care in production and delivery.

Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.

If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.

Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.

Your order is covered by our 90-day returns policy and 10-year guarantee.

Read our full delivery and local production guide

Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.

We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.

Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.

Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.

All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.

We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.

If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.

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Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.

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