People by the Blue Lake by August Macke, 1913
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1913 e stampata in qualità museale. Descrizione completa
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Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
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L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1913 e stampata in qualità museale. Descrizione completa
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August Macke’s Leute am blauen See (People at the Blue Lake), painted in 1913, turns a leisurely encounter beside the water into...
Continua a leggereAugust Macke’s Leute am blauen See (People at the Blue Lake), painted in 1913, turns a leisurely encounter beside the water into a tightly woven arrangement of figures, foliage and radiant colour. Three people occupy the foreground: a dark-suited man, a woman in a pale dress and dark jacket, and a partially obscured child. Around them, blue water, yellow-green leaves and warm orange earth meet in vivid, mosaic-like passages. The scene remains recognisable, yet its appeal lies less in descriptive detail than in the rhythm created by adjoining shapes and sharply contrasted hues.
Macke was a major figure in German Expressionism and closely associated with Der Blaue Reiter, the Munich-based circle that sought new possibilities for colour and form before the First World War. His paintings often drew upon ordinary modern life—parks, promenades, gardens and people at leisure—but transformed such subjects through simplified silhouettes and heightened colour. Here, an unremarkable moment outdoors becomes a study in how cool and warm tones can organise a composition, create atmosphere and animate the human figure.
A closer look
The central group forms the painting’s visual anchor. The man’s dark clothing creates a strong vertical presence amid the more fragmented landscape, though subtle variations within the suit prevent it from becoming a single, inert block. Beside him, the woman’s long white dress introduces one of the lightest areas in the composition. Her dark jacket and the distinct rim of her hat sharpen her outline, while her slightly lowered head gives the grouping a quiet, inward character. At the lower left, the child’s pale clothing echoes the woman’s dress; a bent leg and tilted head bring a small note of movement to the scene.
Blue spreads through the upper and middle parts of the painting, suggesting the lake and its shifting reflections. Macke does not treat the water as a continuous, naturalistic expanse. Instead, it is broken into adjacent zones of colour, set against greens, yellows and earthy browns. The resulting surface hovers between landscape and pattern: depth is established through overlapping forms, yet the flattened patches of pigment continually draw attention back to the painting’s decorative structure.
The right-hand tree is especially forceful. Its bold trunk frames the figures, while its foliage breaks into lively green and yellow marks. Along the edges, vegetation becomes increasingly abstract, with strokes and dabs functioning almost like tesserae in a mosaic. Near the lower edge, saturated orange provides a warm counterweight to the blue lake, grounding the composition without settling it into conventional perspective. These exchanges—dark suit against pale dress, orange earth against blue water, solid trunk against flickering leaves—give the painting its visual momentum.
Context and significance
Leute am blauen See belongs to a moment when German Expressionism was absorbing ideas from across the European avant-garde. Macke’s work is distinguished within that context by its openness to pleasure, daylight and public life. Rather than using distortion primarily for anguish or confrontation, he often employed it to clarify the harmonies of a scene: bodies become lucid silhouettes, landscapes become interlocking colour fields, and familiar surroundings acquire an intensified visual order.
The painting’s calm subject and energetic construction are held in productive balance. Its figures seem absorbed in their surroundings, yet they are also essential components in a larger chromatic pattern. That dual character—an intimate episode beside a lake and a modern experiment in colour—makes the work particularly characteristic of Macke’s ability to find formal vitality within everyday experience.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 16x20in (40x50cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
August Macke’s Leute am blauen See (People at the Blue Lake), painted in 1913, turns a leisurely encounter beside the water into a tightly woven arrangement of figures, foliage and radiant colour. Three people occupy the foreground: a dark-suited man, a woman in a pale dress and dark jacket, and a partially obscured child. Around them, blue water, yellow-green leaves and warm orange earth meet in vivid, mosaic-like passages. The scene remains recognisable, yet its appeal lies less in descriptive detail than in the rhythm created by adjoining shapes and sharply contrasted hues.
Macke was a major figure in German Expressionism and closely associated with Der Blaue Reiter, the Munich-based circle that sought new possibilities for colour and form before the First World War. His paintings often drew upon ordinary modern life—parks, promenades, gardens and people at leisure—but transformed such subjects through simplified silhouettes and heightened colour. Here, an unremarkable moment outdoors becomes a study in how cool and warm tones can organise a composition, create atmosphere and animate the human figure.
A closer look
The central group forms the painting’s visual anchor. The man’s dark clothing creates a strong vertical presence amid the more fragmented landscape, though subtle variations within the suit prevent it from becoming a single, inert block. Beside him, the woman’s long white dress introduces one of the lightest areas in the composition. Her dark jacket and the distinct rim of her hat sharpen her outline, while her slightly lowered head gives the grouping a quiet, inward character. At the lower left, the child’s pale clothing echoes the woman’s dress; a bent leg and tilted head bring a small note of movement to the scene.
Blue spreads through the upper and middle parts of the painting, suggesting the lake and its shifting reflections. Macke does not treat the water as a continuous, naturalistic expanse. Instead, it is broken into adjacent zones of colour, set against greens, yellows and earthy browns. The resulting surface hovers between landscape and pattern: depth is established through overlapping forms, yet the flattened patches of pigment continually draw attention back to the painting’s decorative structure.
The right-hand tree is especially forceful. Its bold trunk frames the figures, while its foliage breaks into lively green and yellow marks. Along the edges, vegetation becomes increasingly abstract, with strokes and dabs functioning almost like tesserae in a mosaic. Near the lower edge, saturated orange provides a warm counterweight to the blue lake, grounding the composition without settling it into conventional perspective. These exchanges—dark suit against pale dress, orange earth against blue water, solid trunk against flickering leaves—give the painting its visual momentum.
Context and significance
Leute am blauen See belongs to a moment when German Expressionism was absorbing ideas from across the European avant-garde. Macke’s work is distinguished within that context by its openness to pleasure, daylight and public life. Rather than using distortion primarily for anguish or confrontation, he often employed it to clarify the harmonies of a scene: bodies become lucid silhouettes, landscapes become interlocking colour fields, and familiar surroundings acquire an intensified visual order.
The painting’s calm subject and energetic construction are held in productive balance. Its figures seem absorbed in their surroundings, yet they are also essential components in a larger chromatic pattern. That dual character—an intimate episode beside a lake and a modern experiment in colour—makes the work particularly characteristic of Macke’s ability to find formal vitality within everyday experience.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 16x20in (40x50cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
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- Possiamo consegnare direttamente al destinatario
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Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
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Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
