Queensland, Edward Stanford’s authoritative rendering of the northeastern state, bears its original title simply, “Queensland,” and dates to 1904. Issued within Stanford’s distinguished atlas—first published in 1887 as the heir to John Arrowsmith’s London Atlas of 1858 after Stanford acquired Arrowsmith’s plates—this sheet reflects the thorough revisions of the atlas’s second edition from 1901. Stanford’s cartographic house fused scientific precision with luminous full-color lithography, presenting a polity newly situated within the Commonwealth of Australia while still shaped by late-colonial expansion. Relief is articulated with elegant hachures and punctuated by spot heights, while political districts are clearly tinted, inviting both synoptic reading and close study. The result is a document that captures Queensland at a transformative moment, balancing beauty, authority, and up-to-date geographic intelligence.

Design and topography are here harmonized with exceptional clarity. The sinuous eastern littoral tracks the Coral Sea, from the sand-fringed bays south of Brisbane to the complicated coastline facing the Gulf of Carpentaria, with nearby islands set off in precise stipple. The Torres Strait is studded with named islets and channels, signalling Queensland’s tropical gateway to New Guinea. Inland, the Great Dividing Range is drawn in fine hachures, cascading toward a web of rivers—Brisbane, Burnett, Mary, Fitzroy, Burdekin, Herbert and others—whose courses guide settlement and transport. District and county boundaries are cleanly color-washed, their typography meticulously graded to separate towns from pastoral out-stations. Spot heights punctuate key ranges and tablelands, while the coastal margin, capes and estuaries are crisply annotated, providing the navigator’s eye with the same confidence granted to the overland traveler.

Movement and communication—engines of Queensland’s modernity—thread the map. Roads and coach routes stitch interior districts to port towns, while railways are drawn as decisive strokes radiating from strategic hubs. Around Brisbane and the Darling Downs, lines scale the range toward Toowoomba and sweep westward into agricultural country; from Rockhampton, permanent way pushes inland toward the central plains; farther north, separate coastal sections at Mackay, Townsville and Cairns serve sugar ports and mining corridors, their eventual unification still in prospect. The Great Northern system reaches past Charters Towers toward the dry interior, as the Central Western tracks point on to Longreach and Winton. Most striking, telegraph lines leap across emptier spaces, including the famed trunk up Cape York Peninsula to Thursday Island, tying frontier outposts and lighthouse stations into a continental and imperial conversation.

The settlement pattern reads like a ledger of purpose and opportunity. Brisbane, the state capital, commands its river and the bays beyond, with suburbs and roadways etched into a growing metropolis. Rockhampton sits astride the Fitzroy system, a provisioning center for the interior; Gladstone claims a superb harbor just to the south. Northward, Mackay, Townsville and Cairns anchor discrete coastal economies—sugar, shipping, and access to mineral districts—while Bundaberg’s cane fields and distilleries speak to a fertile Burnett basin. Toowoomba crowns the Darling Downs as an inland market town, reached by the dramatic ascent over the range. Each urban name is nested within colored districts and counties, clarifying administration as well as trade, and together they chart Queensland’s pivot from scattered coastal entrepôts to an integrated network spanning rainforest, savannah, and reef-lined shore.

The map’s authority rests as much on pedigree as on execution. Stanford, successor to the Arrowsmith tradition, made his atlas one of the premier cartographic achievements of its era through relentless revision: new townships appear, routes extend, and boundaries are adjusted to mirror lived change. In this 1904 state, the judicious overlay of telegraph annotations, the calibrated palette of districts, and the disciplined use of hachures and spot heights exemplify best-practice geographic visualization at the turn of the century. It is a learned object, to be read as a chronicle of federation-era Queensland—its ports, ranges, rivers and remote stations—but also admired as a work of graphic art, where every line, tint and letterform contributes

Cities and towns on this map

• Brisbane
• Townsville
• Cairns
• Mackay
• Rockhampton
• Toowoomba
• Bundaberg
• Gladstone

Notable Features & Landmarks

• Full-color depiction of districts
• Hachured relief to indicate elevation
• Spot heights indicating significant elevations
• Detailed representation of settlements and counties
• Presence of roads and railroads
• Labeling of telegraph lines across the region
• Coastal lines and significant bodies of water, including the Gulf of Carpentaria
• Nearby islands, including some in the Torres Strait

Historical and design context

• Mapmaker/Publisher: Edward Stanford
• Date of creation: 1904
• Historical context: Part of an atlas first issued in 1887, succeeding John Arrowsmith’s London Atlas of 1858 after Stanford acquired the plates; belongs to the second edition published in 1901
• Design and style: Full-color lithography with relief shown by hachures and spot heights
• Historical significance: Regarded as one of the premier cartographic works of its era, illustrating artistic and technical achievements
• Updates: Meticulously revised across editions to reflect changes in geography and settlement patterns

Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.

This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.

This map looks amazing at sizes all the way up to 70in (180cm). If you are looking for a larger map, please get in touch.

The model in the listing images is holding the 16x20in (40x50cm) version of this map.

The fifth listing image shows an example of my map personalisation service.

If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.

Please contact me to check if a certain location, landmark or feature is shown on this map.

This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.

This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.

For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.

Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.

Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.

We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.

• We can deliver directly to the recipient
• Framed pieces arrive ready to hang
• Unframed prints are carefully packed in a strong protective tube
• Almost every order is made locally, for faster, safer gifting
• 90-day returns give the recipient time to decide

If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.

Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.

We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.

Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.

Very large framed orders can take a little longer, as they need extra care in production and delivery.

Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.

If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.

Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.

Your order is covered by our 90-day returns policy and 5-year guarantee.

Read our full delivery and local production guide

My standard frame is a gallery style black ash hardwood frame. It is simple and quite modern looking. My standard frame is around 20mm (0.8in) wide.

I use super-clear acrylic (perspex/acrylite) for the frame glass. It's lighter and safer than glass - and it looks better, as the reflectivity is lower.

Six standard frame colours are available for free (black, dark brown, dark grey, oak, white and antique gold). Custom framing and mounting/matting is available if you're looking for something else.

Most maps, art and illustrations are also available as a framed canvas. We use matte (not shiny) cotton canvas, stretch it over a sustainably sourced box wood frame, and then 'float' the piece within a wood frame. The end result is quite beautiful, and there's no glazing to get in the way.

All frames are provided "ready to hang", with either a string or brackets on the back. Very large frames will have heavy duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.

See some examples of my framed maps and framed canvas maps.

Alternatively, I can also supply old maps and artwork on canvas, foam board, cotton rag and other materials.

If you want to frame your map or artwork yourself, please read my size guide first.

My maps are extremely high quality reproductions of original maps.

I source original, rare maps from libraries, auction houses and private collections around the world, restore them at my London workshop, and then use specialist giclée inks and printers to create beautiful maps that look even better than the original.

My maps are printed on acid-free archival matte (not glossy) paper that feels very high quality and almost like card. In technical terms the paper weight/thickness is 10mil/200gsm. It's perfect for framing.

I print with Epson ultrachrome giclée UV fade resistant pigment inks - some of the best inks you can find.

I can also make maps on canvas, cotton rag and other exotic materials.

Learn more about The Unique Maps Co.

Map personalisation

If you're looking for the perfect anniversary or housewarming gift, I can personalise your map to make it truly unique. For example, I can add a short message, or highlight an important location, or add your family's coat of arms.

The options are almost infinite. Please see my map personalisation page for some wonderful examples of what's possible.

To order a personalised map, select "personalise your map" before adding it to your basket.

Get in touch if you're looking for more complex customisations and personalisations.

Map ageing

I have been asked hundreds of times over the years by customers if they could buy a map that looks even older.

Well, now you can, by selecting Aged before you add a map to your basket.

All the product photos you see on this page show the map in its Original form. This is what the map looks like today.

If you select Aged, I will age your map by hand, using a special and unique process developed through years of studying old maps, talking to researchers to understand the chemistry of aging paper, and of course... lots of practice!

If you're unsure, stick to the Original colour of the map. If you want something a bit darker and older looking, go for Aged.

See some amazing examples of Aged maps.

Se non sei soddisfatto del tuo ordine per qualsiasi motivo, contattami per un rimborso senza problemi. Si prega di consultare la nostra politica di reso e rimborso per ulteriori informazioni.

Sono molto sicuro che ti piacerà la tua mappa restaurata o la stampa d'arte. Lo faccio dal 1984. Sono un venditore Etsy a 5 stelle. Ho venduto decine di migliaia di mappe e stampe d'arte e ho oltre 5.000 recensioni reali a 5 stelle.

Utilizzo un processo unico per restaurare mappe e opere d'arte che richiede molto tempo e lavoro. Trovare le mappe e le illustrazioni originali può richiedere mesi. Utilizzo tecnologia all'avanguardia e incredibilmente costosa per scannerizzare e restaurarle. Di conseguenza, garantisco che le mie mappe e stampe d'arte siano superiori alle altre - ecco perché posso offrire un rimborso senza problemi.

Quasi tutte le mie mappe e stampe d'arte sembrano fantastiche a grandi dimensioni (200 cm, 6,5 piedi+) e posso anche incorniciarle e consegnarle a te, tramite un corriere speciale per oggetti di grandi dimensioni. Contattami per discutere delle tue esigenze specifiche.