Composition II (Susanna in the Bath) by August Macke, 1913
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1913 e stampata in qualità museale. Descrizione completa
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Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
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Restaurato a Londra • Stampato e incorniciato in the UK
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1913 e stampata in qualità museale. Descrizione completa
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August Macke’s Composition II (Susanna in the Bath), created in 1913, turns a familiar biblical subject into a vivid arrangement of colour,...
Continua a leggereAugust Macke’s Composition II (Susanna in the Bath), created in 1913, turns a familiar biblical subject into a vivid arrangement of colour, contour and overlapping form. A reclining nude occupies the centre of the painting, her pale, warmly modulated body set against saturated blues, greens and pinks. The setting is only loosely defined: dark masses gather at the upper left, softer peach-coloured forms spread beneath the figure, and spatial depth gives way to a fluid, almost decorative rhythm.
Macke was a leading figure in German Expressionism and a key member of Der Blaue Reiter, the Munich-based circle that sought new expressive possibilities in colour and form. Here, the story of Susanna—traditionally represented bathing while secretly observed by two elders—is not narrated with conventional clarity. Instead, Macke recasts it in the experimental language of the early twentieth-century avant-garde. Figurative elements remain recognisable, but they are absorbed into an image constructed through luminous colour harmonies, simplified shapes and emphatic outlines.
A closer look
Susanna’s body provides the painting’s clearest visual anchor. Positioned slightly off-centre, she reclines across the composition rather than sitting upright in a formal pose. Her light skin is touched with pale yellow and soft pink, while delicate changes in tone give the figure a degree of volume despite the generally flattened treatment of light. A distinct contour separates her from the looser forms behind her, making the body appear both integrated into and suspended above its surroundings.
Around this central figure, the scene becomes increasingly ambiguous. Deep blue and green passages collect along the upper edge, suggesting an enveloping backdrop without resolving into a precisely described landscape. On the left, darker forms create a forceful counterweight to Susanna’s paler body. Their blurred boundaries generate movement and tension, while the pink and peach areas beneath her resemble drapery or a cushioned surface without becoming fully literal. The cool blues and greens continually press against these warmer colours, producing much of the painting’s visual energy.
In the lower right, a smaller, partly visible figure introduces a narrative disturbance. It is easy to overlook amid the surrounding colour, yet its presence complicates the apparent serenity of Susanna’s pose and connects the composition to the story implied by the title. Macke does not organise the scene around detailed gestures or clearly articulated architecture. Instead, slender lines and overlapping patches of colour bind figure and setting together, allowing the eye to move through the painting in a sequence of curves, contrasts and interruptions.
Context and significance
The subject of Susanna had a long history in European art, offering painters an opportunity to combine the nude with moral and dramatic narrative. Macke’s treatment departs from the descriptive emphasis of many earlier versions. The protagonists and setting are reduced, compressed and partially obscured, so that the act of looking—central to the biblical episode—is echoed in the viewer’s own effort to locate figures within the shifting composition.
Painted during the brief, intensely productive final phase of Macke’s career, the work reflects his characteristic interest in reconciling recognisable human subjects with an increasingly independent use of colour. His life was cut short in 1914 during the opening months of the First World War, giving the paintings of 1913 particular poignancy within his compact body of work. Composition II remains compelling because it neither abandons narrative nor submits to it: Susanna’s story persists, but as a structure of glances, concealed presences and radiant chromatic relationships.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 16x16in (40x40cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
August Macke’s Composition II (Susanna in the Bath), created in 1913, turns a familiar biblical subject into a vivid arrangement of colour, contour and overlapping form. A reclining nude occupies the centre of the painting, her pale, warmly modulated body set against saturated blues, greens and pinks. The setting is only loosely defined: dark masses gather at the upper left, softer peach-coloured forms spread beneath the figure, and spatial depth gives way to a fluid, almost decorative rhythm.
Macke was a leading figure in German Expressionism and a key member of Der Blaue Reiter, the Munich-based circle that sought new expressive possibilities in colour and form. Here, the story of Susanna—traditionally represented bathing while secretly observed by two elders—is not narrated with conventional clarity. Instead, Macke recasts it in the experimental language of the early twentieth-century avant-garde. Figurative elements remain recognisable, but they are absorbed into an image constructed through luminous colour harmonies, simplified shapes and emphatic outlines.
A closer look
Susanna’s body provides the painting’s clearest visual anchor. Positioned slightly off-centre, she reclines across the composition rather than sitting upright in a formal pose. Her light skin is touched with pale yellow and soft pink, while delicate changes in tone give the figure a degree of volume despite the generally flattened treatment of light. A distinct contour separates her from the looser forms behind her, making the body appear both integrated into and suspended above its surroundings.
Around this central figure, the scene becomes increasingly ambiguous. Deep blue and green passages collect along the upper edge, suggesting an enveloping backdrop without resolving into a precisely described landscape. On the left, darker forms create a forceful counterweight to Susanna’s paler body. Their blurred boundaries generate movement and tension, while the pink and peach areas beneath her resemble drapery or a cushioned surface without becoming fully literal. The cool blues and greens continually press against these warmer colours, producing much of the painting’s visual energy.
In the lower right, a smaller, partly visible figure introduces a narrative disturbance. It is easy to overlook amid the surrounding colour, yet its presence complicates the apparent serenity of Susanna’s pose and connects the composition to the story implied by the title. Macke does not organise the scene around detailed gestures or clearly articulated architecture. Instead, slender lines and overlapping patches of colour bind figure and setting together, allowing the eye to move through the painting in a sequence of curves, contrasts and interruptions.
Context and significance
The subject of Susanna had a long history in European art, offering painters an opportunity to combine the nude with moral and dramatic narrative. Macke’s treatment departs from the descriptive emphasis of many earlier versions. The protagonists and setting are reduced, compressed and partially obscured, so that the act of looking—central to the biblical episode—is echoed in the viewer’s own effort to locate figures within the shifting composition.
Painted during the brief, intensely productive final phase of Macke’s career, the work reflects his characteristic interest in reconciling recognisable human subjects with an increasingly independent use of colour. His life was cut short in 1914 during the opening months of the First World War, giving the paintings of 1913 particular poignancy within his compact body of work. Composition II remains compelling because it neither abandons narrative nor submits to it: Susanna’s story persists, but as a structure of glances, concealed presences and radiant chromatic relationships.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 16x16in (40x40cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
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Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
