Vintage Beer Poster: Out with the Word, Down with the Drink, 1870
Obra de arte auténtica
La obra de arte que imprimimos se restaura fielmente a partir de la fuente original, normalmente un museo, biblioteca o colección privada. Nunca sustituimos, redibujamos ni inventamos la obra del artista utilizando IA generativa.
Restaurada en nuestro taller de Londres a partir de la obra original de 1870 e impresa en calidad museo. Descripción completa
La oferta del coleccionista
Elija dos obras elegibles y obtenga un 20 % de descuento en ambas. Elija tres y la de menor precio será gratuita, con un ahorro máximo del 33 %.
Combine y mezcle mapas estándar elegibles y reproducciones de bellas artes. No se requiere código; la oferta se aplica automáticamente al finalizar la compra.
Se incluyen las configuraciones estándar hechas por encargo. Quedan excluidos los tamaños a medida, los diseños personalizados y los trabajos por encargo.
¿Necesita entrega en diferentes direcciones? Contáctenos antes de realizar el pedido.La oferta del coleccionista
Elija dos obras elegibles y obtenga un 20 % de descuento en ambas. Elija tres y la de menor precio será gratuita, con un ahorro máximo del 33 %.
Combine y mezcle mapas estándar elegibles y reproducciones de bellas artes. No se requiere código; la oferta se aplica automáticamente al finalizar la compra.
Se incluyen las configuraciones estándar hechas por encargo. Quedan excluidos los tamaños a medida, los diseños personalizados y los trabajos por encargo.
¿Necesita entrega en diferentes direcciones? Contáctenos antes de realizar el pedido.
Restaurado en Londres • Impreso y enmarcado en the UK
Obra de arte auténtica
La obra de arte que imprimimos se restaura fielmente a partir de la fuente original, normalmente un museo, biblioteca o colección privada. Nunca sustituimos, redibujamos ni inventamos la obra del artista utilizando IA generativa.
Restaurado a partir de la obra original de 1870 e impreso en calidad museo. Descripción completa
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Si deseas agregar un mensaje de regalo, o un acabado (rompecabezas, tablero de aluminio, etc.) que no esté disponible aquí, por favor solicítalo en la "nota del pedido" cuando realices la compra.
Cada pedido es hecho a medida, así que si necesitas que el tamaño se ajuste ligeramente, o que se imprima en un material inusual, háznoslo saber. Hemos realizado miles de pedidos personalizados a lo largo de los años, así que hay (casi) nada que no podamos gestionar.
También puedes contactarnos antes de hacer tu pedido, ¡si lo prefieres!
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The anonymous 1870 poster Heraus mit dem work, wen es wahr ist, hinab mit de trunk, wenn er klar ist. centres upon...
Seguir leyendoThe anonymous 1870 poster Heraus mit dem work, wen es wahr ist, hinab mit de trunk, wenn er klar ist. centres upon a jovial drinker raising a foaming beer mug. Dressed in a blue tunic with gold-toned trim and bright yellow trousers, he stands boldly against a pale blue sky, framed by green ivy, wheat stalks and emphatic bands of lettering. The palette is deliberately direct: saturated blue and yellow meet the deep red of the upper banner, giving the vertically arranged composition an immediate, festive energy.
Its curious, dialect-like title and accompanying English wording belong to the humorous register of nineteenth-century popular print culture. Such inexpensive graphic works combined entertainment, advertising and public commentary, relying upon memorable slogans and strongly simplified imagery to reach a broad audience. Here, language is not secondary to the illustration: the verbal joke, the raised mug and the decorative abundance work together, turning an endorsement of a “pure” drink into a compact piece of visual theatre.
A closer look
The figure dominates the foreground, his pose almost heraldic in its directness. One arm lifts the mug towards the upper banner, while the bright costume divides his body into broad fields of blue and yellow. Small details prevent this graphic simplicity from becoming flat: the collar carries intricate golden decoration, the trousers are patterned, and subtle shading gives shape to the face and its convivial expression. The beer’s uneven crown of foam provides a particularly tactile note, contrasting with the mug’s smooth, reflective surface.
Above him, the red ribbon unfurls in generous curves, its decorative script following the movement of the fabric-like form. Ivy enters at the upper left, softening the edge with clustered green leaves, while the wheat at the right creates a balancing vertical accent. These natural motifs do more than fill the margins: they form a loose ornamental frame around the drinker and connect the slogan visually with the beverage at the centre.
The lower section shifts from illustration to proclamation. Set in firm blue lettering, the English lines read: “Out with the word if true and free, Down with the drink, if pure it be!” The contrast between the flourishing banner above and the weightier text below establishes a clear graphic hierarchy. Yellow-and-blue border motifs contain the whole arrangement, while the limited sense of depth keeps attention fixed on colour, contour and message rather than on a fully described setting.
Context and significance
Produced at a time when printed imagery was becoming an increasingly familiar presence in everyday life, this poster reflects the close relationship between commerce and amusement in late nineteenth-century visual culture. Its maker is unrecorded, but anonymity was common among popular prints intended for broad circulation rather than recognition as individual works of fine art. Their effectiveness depended upon clarity: a legible central character, forceful colour contrasts and a phrase that could be quickly understood or remembered.
The bilingual character of the wording gives this example an additional comic texture. Rather than presenting beverage promotion in a restrained or informational manner, it adopts the cadence of a toast or public refrain. The result is at once decorative and performative: a raised mug, a flourish of red lettering and a slogan seemingly designed to be spoken aloud. Even before every word is read, the poster communicates conviviality through its vivid colour, frontal pose and exuberant framing.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
The anonymous 1870 poster Heraus mit dem work, wen es wahr ist, hinab mit de trunk, wenn er klar ist. centres upon a jovial drinker raising a foaming beer mug. Dressed in a blue tunic with gold-toned trim and bright yellow trousers, he stands boldly against a pale blue sky, framed by green ivy, wheat stalks and emphatic bands of lettering. The palette is deliberately direct: saturated blue and yellow meet the deep red of the upper banner, giving the vertically arranged composition an immediate, festive energy.
Its curious, dialect-like title and accompanying English wording belong to the humorous register of nineteenth-century popular print culture. Such inexpensive graphic works combined entertainment, advertising and public commentary, relying upon memorable slogans and strongly simplified imagery to reach a broad audience. Here, language is not secondary to the illustration: the verbal joke, the raised mug and the decorative abundance work together, turning an endorsement of a “pure” drink into a compact piece of visual theatre.
A closer look
The figure dominates the foreground, his pose almost heraldic in its directness. One arm lifts the mug towards the upper banner, while the bright costume divides his body into broad fields of blue and yellow. Small details prevent this graphic simplicity from becoming flat: the collar carries intricate golden decoration, the trousers are patterned, and subtle shading gives shape to the face and its convivial expression. The beer’s uneven crown of foam provides a particularly tactile note, contrasting with the mug’s smooth, reflective surface.
Above him, the red ribbon unfurls in generous curves, its decorative script following the movement of the fabric-like form. Ivy enters at the upper left, softening the edge with clustered green leaves, while the wheat at the right creates a balancing vertical accent. These natural motifs do more than fill the margins: they form a loose ornamental frame around the drinker and connect the slogan visually with the beverage at the centre.
The lower section shifts from illustration to proclamation. Set in firm blue lettering, the English lines read: “Out with the word if true and free, Down with the drink, if pure it be!” The contrast between the flourishing banner above and the weightier text below establishes a clear graphic hierarchy. Yellow-and-blue border motifs contain the whole arrangement, while the limited sense of depth keeps attention fixed on colour, contour and message rather than on a fully described setting.
Context and significance
Produced at a time when printed imagery was becoming an increasingly familiar presence in everyday life, this poster reflects the close relationship between commerce and amusement in late nineteenth-century visual culture. Its maker is unrecorded, but anonymity was common among popular prints intended for broad circulation rather than recognition as individual works of fine art. Their effectiveness depended upon clarity: a legible central character, forceful colour contrasts and a phrase that could be quickly understood or remembered.
The bilingual character of the wording gives this example an additional comic texture. Rather than presenting beverage promotion in a restrained or informational manner, it adopts the cadence of a toast or public refrain. The result is at once decorative and performative: a raised mug, a flourish of red lettering and a slogan seemingly designed to be spoken aloud. Even before every word is read, the poster communicates conviviality through its vivid colour, frontal pose and exuberant framing.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Muchos de nuestros mapas y reproducciones de arte se eligen como regalos considerados para hogares, oficinas, despachos y lugares significativos.
Elija una opción enmarcada para el regalo más sencillo, listo para colgar, o elija una lámina sin enmarcar si el destinatario prefiere seleccionar su propio marco.
Producimos los pedidos localmente en 23 países de todo el mundo, por lo que a menudo los regalos pueden realizarse cerca del destinatario. Esto ayuda a que lleguen más rápido, viajen de forma más segura y eviten sorpresas por aduanas o aranceles de importación.
- Podemos entregar directamente al destinatario
- Las piezas enmarcadas llegan listas para colgar
- Las láminas sin enmarcar se embalan cuidadosamente en un resistente tubo protector
- Casi todos los pedidos se producen localmente, para regalar de forma más rápida y segura
- Las devoluciones de 90 días dan al destinatario tiempo para decidir
Si no está seguro de qué elegir, por favor contáctenos. Podemos ayudarle a escoger el mapa, tamaño, acabado u opción de entrega adecuados.
Para la mayoría de los pedidos, el tiempo de entrega es de aproximadamente 3 días laborables. Los productos personalizados y a medida tardan más, ya que tengo que hacer la personalización y enviártelo para su aprobación, lo cual suele tardar 1 o 2 días.
Tenga en cuenta que los pedidos enmarcados muy grandes suelen tardar más en fabricarse y entregarse.
Si necesitas que tu pedido llegue para una fecha determinada, por favor contáctame antes de hacer el pedido para que podamos encontrar la mejor manera de asegurarnos de que recibas tu pedido a tiempo.
Imprimo y enmarco mapas y obras de arte en 23 países alrededor del mundo. Esto significa que tu pedido se fabricará localmente, lo que reduce el tiempo de entrega y asegura que no se dañe durante el envío. Nunca pagarás aranceles de aduana o impuestos de importación, y pondremos menos CO2 en el aire.
Todos mis mapas y impresiones artísticas están bien empaquetados y enviados en un tubo resistente si no están enmarcados, o rodeados de espuma si están enmarcados.
Intento enviar todos los pedidos dentro de 1 o 2 días después de recibir tu pedido, aunque algunos productos (como mascarillas, tazas y bolsas de tela) pueden tardar más en fabricarse.
Si seleccionas Entrega Exprés al finalizar la compra, priorizaremos tu pedido y lo enviaremos por mensajería de 1 día (Fedex, DHL, UPS, Parcelforce).
La entrega al día siguiente también está disponible en algunos países (EE. UU., Reino Unido, Singapur, EAU), pero por favor intenta hacer tu pedido temprano en el día para que podamos enviarlo a tiempo.
Mi marco estándar es un marco de madera de fresno negro estilo galería. Es simple y tiene un aspecto bastante moderno. Mi marco estándar tiene alrededor de 20 mm (0.8 in) de ancho.
Utilizo acrílico super claro (perspex/acrylite) para el vidrio del marco. Es más ligero y seguro que el vidrio, y se ve mejor, ya que la reflectividad es menor.
Seis colores de marco estándar están disponibles de forma gratuita (negro, marrón oscuro, gris oscuro, roble, blanco y oro antiguo).El enmarcado y montaje/matizado personalizado está disponible si buscas algo diferente.
La mayoría de los mapas, arte e ilustraciones también están disponibles como un lienzo enmarcado. Utilizamos lienzo de algodón mate (no brillante), lo estiramos sobre un marco de madera de caja de origen sostenible, y luego 'flotamos' la pieza dentro de un marco de madera. El resultado final es bastante hermoso, y no hay cristal que se interponga.
Todos los marcos se proporcionan "listos para colgar", con una cuerda o soportes en la parte posterior. Los marcos muy grandes tendrán placas de colgar de alta resistencia y/o un listón de montaje. Si tienes alguna pregunta, por favor ponte en contacto.
Mira algunos ejemplos de mis mapas enmarcados y mapas en lienzo enmarcados.
Alternativamente, también puedo proporcionar mapas antiguos y obras de arte en lienzo, tablero de espuma, papel de algodón y otros materiales.
Si deseas enmarcar tu mapa o obra de arte tú mismo, por favor lee mi guía de tamaños primero.
Trabajamos con diseñadores de interiores, empresas de hostelería, profesionales inmobiliarios, oficinas y compradores corporativos en piezas individuales y proyectos coordinados de mayor envergadura.
Esta obra puede adaptarse a una pared, estancia o proyecto concretos, y nuestro taller puede ayudar a coordinar las dimensiones, el material y el enmarcado antes de la producción.
- Dimensiones exactas, sobredimensionadas y a medida
- Enmarcado, montaje y materiales alternativos personalizados
- Piezas coordinadas para varias estancias o ubicaciones
- Personalización de la obra, para ajustar el color y el estilo de la pieza
- Asesoramiento sobre la obra y el enmarcado por parte de nuestro taller
- Producción local para proyectos en todo el mundo
Cada impresión artística restaurada comienza con la obra original del artista; nunca con un reemplazo generado por IA.
Nuestro estudio de Londres trabaja a partir de material de origen cuidadosamente seleccionado de museos, bibliotecas, archivos y colecciones privadas. Restauramos el deterioro por el paso del tiempo, la coloración desvaída y las imperfecciones de reproducción, preservando al mismo tiempo la composición, la pincelada, el trazo, la textura y el carácter de época del artista.
No utilizamos IA generativa para redibujar, reinterpretar ni inventar la obra. La restauración digital se emplea únicamente para recuperar y reproducir la obra original con la mayor fidelidad posible.
Una vez restaurada, la obra maestra se prepara para el tamaño y el acabado que haya elegido. Después, su pieza se imprime y, cuando se selecciona, se enmarca cerca de su destino de entrega.
Nuestras impresiones artísticas giclée utilizan papel mate de archivo libre de ácido de 200 g/m² y tintas de pigmento resistentes a la decoloración para ofrecer un acabado rico, de calidad museística. Las impresiones artísticas enmarcadas utilizan acrílico óptico cristalino y llegan listas para colgar.
También están disponibles ediciones en lienzo enmarcado y ediciones especiales sobre algodón-rag. Obtenga más información sobre nuestros materiales y acabados.
Llevamos restaurando y produciendo mapas y láminas artísticas desde 1984, y respondemos por cada pieza.
Todos los pedidos están cubiertos por nuestra garantía de 10 años y nuestra garantía de entrega sin daños. Si su pieza llega dañada, la sustituiremos o la volveremos a producir sin cargo alguno. Si cualquier otro aspecto no es correcto, contacte con nuestro equipo de taller y lo resolveremos con prontitud.
Consulte nuestra política de devoluciones y reembolsos para conocer todos los detalles.
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The anonymous 1870 poster Heraus mit dem work, wen es wahr ist, hinab mit de trunk, wenn er klar ist. centres upon a jovial drinker raising a foaming beer mug. Dressed in a blue tunic with gold-toned trim and bright yellow trousers, he stands boldly against a pale blue sky, framed by green ivy, wheat stalks and emphatic bands of lettering. The palette is deliberately direct: saturated blue and yellow meet the deep red of the upper banner, giving the vertically arranged composition an immediate, festive energy.
Its curious, dialect-like title and accompanying English wording belong to the humorous register of nineteenth-century popular print culture. Such inexpensive graphic works combined entertainment, advertising and public commentary, relying upon memorable slogans and strongly simplified imagery to reach a broad audience. Here, language is not secondary to the illustration: the verbal joke, the raised mug and the decorative abundance work together, turning an endorsement of a “pure” drink into a compact piece of visual theatre.
A closer look
The figure dominates the foreground, his pose almost heraldic in its directness. One arm lifts the mug towards the upper banner, while the bright costume divides his body into broad fields of blue and yellow. Small details prevent this graphic simplicity from becoming flat: the collar carries intricate golden decoration, the trousers are patterned, and subtle shading gives shape to the face and its convivial expression. The beer’s uneven crown of foam provides a particularly tactile note, contrasting with the mug’s smooth, reflective surface.
Above him, the red ribbon unfurls in generous curves, its decorative script following the movement of the fabric-like form. Ivy enters at the upper left, softening the edge with clustered green leaves, while the wheat at the right creates a balancing vertical accent. These natural motifs do more than fill the margins: they form a loose ornamental frame around the drinker and connect the slogan visually with the beverage at the centre.
The lower section shifts from illustration to proclamation. Set in firm blue lettering, the English lines read: “Out with the word if true and free, Down with the drink, if pure it be!” The contrast between the flourishing banner above and the weightier text below establishes a clear graphic hierarchy. Yellow-and-blue border motifs contain the whole arrangement, while the limited sense of depth keeps attention fixed on colour, contour and message rather than on a fully described setting.
Context and significance
Produced at a time when printed imagery was becoming an increasingly familiar presence in everyday life, this poster reflects the close relationship between commerce and amusement in late nineteenth-century visual culture. Its maker is unrecorded, but anonymity was common among popular prints intended for broad circulation rather than recognition as individual works of fine art. Their effectiveness depended upon clarity: a legible central character, forceful colour contrasts and a phrase that could be quickly understood or remembered.
The bilingual character of the wording gives this example an additional comic texture. Rather than presenting beverage promotion in a restrained or informational manner, it adopts the cadence of a toast or public refrain. The result is at once decorative and performative: a raised mug, a flourish of red lettering and a slogan seemingly designed to be spoken aloud. Even before every word is read, the poster communicates conviviality through its vivid colour, frontal pose and exuberant framing.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.