Austrian Genuine Pilsener Vintage Beer Poster by Theodor Zasche, 1910
Obra de arte auténtica
La obra de arte que imprimimos se restaura fielmente a partir de la fuente original, normalmente un museo, biblioteca o colección privada. Nunca sustituimos, redibujamos ni inventamos la obra del artista utilizando IA generativa.
Restaurada en nuestro taller de Londres a partir de la obra original de 1910 e impresa en calidad museo. Descripción completa
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Elija dos obras elegibles y obtenga un 20 % de descuento en ambas. Elija tres y la de menor precio será gratuita, con un ahorro máximo del 33 %.
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¿Necesita entrega en diferentes direcciones? Contáctenos antes de realizar el pedido.La oferta del coleccionista
Elija dos obras elegibles y obtenga un 20 % de descuento en ambas. Elija tres y la de menor precio será gratuita, con un ahorro máximo del 33 %.
Combine y mezcle mapas estándar elegibles y reproducciones de bellas artes. No se requiere código; la oferta se aplica automáticamente al finalizar la compra.
Se incluyen las configuraciones estándar hechas por encargo. Quedan excluidos los tamaños a medida, los diseños personalizados y los trabajos por encargo.
¿Necesita entrega en diferentes direcciones? Contáctenos antes de realizar el pedido.
Restaurado en Londres • Impreso y enmarcado en the UK
Obra de arte auténtica
La obra de arte que imprimimos se restaura fielmente a partir de la fuente original, normalmente un museo, biblioteca o colección privada. Nunca sustituimos, redibujamos ni inventamos la obra del artista utilizando IA generativa.
Restaurado a partir de la obra original de 1910 e impreso en calidad museo. Descripción completa
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Theodor Zasche’s Austrian Genuine Pilsener Beer, created around 1910, builds its appeal around a smiling woman raising a tall glass of pale,...
Seguir leyendoTheodor Zasche’s Austrian Genuine Pilsener Beer, created around 1910, builds its appeal around a smiling woman raising a tall glass of pale, foaming beer. Set slightly to the right of centre, she emerges from an abundant display of flowers, foliage and brewing ingredients, her white headpiece and traditional dress standing out crisply against a clear yellow ground. The composition is crowded without becoming confused: warm colour, emphatic outlines and large lettering combine to deliver the advertisement’s message with immediate theatricality.
The poster belongs to the lively commercial culture of pre-war Central Europe, when illustrated advertising was becoming an increasingly prominent part of urban visual life. Zasche, an Austrian artist working at the turn of the century, brings together decorative illustration and direct brand communication. Pilsener beer already possessed an international reputation, and the English-language wording—together with the naming of the Borneo Company Limited as sole importer—places the design within a wider network of export, distribution and overseas promotion. Its reference to Pilsen as Austrian also reflects the political geography of the period, before the dissolution of Austria-Hungary after the First World War.
A closer look
The raised glass provides the poster’s clear focal point. Fine pale highlights along its surface sharpen the impression of coolness, while the golden drink echoes the expansive yellow background. Zasche gives the woman’s face more modelling than the surrounding graphic forms: gentle shadows around her cheeks and eyes lend her presence, while the folds of her costume are simplified into broad, legible shapes. Her gesture is both a toast and a demonstration, presenting the beer as the centre of the scene.
A wooden planter stretches across the lower portion of the design, its grain and panelled surface introducing an earthy brown beneath the brighter colours above. From it rises a dense arrangement of green leaves and small pink and purple blossoms. Hops appear along the left margin, while wheat-like stalks rise at the right, framing the figure with ingredients associated with brewing. These natural forms create a decorative border, but they also connect the finished drink to cultivation and abundance.
The upper part of the poster adds a note of institutional authority. An ornate eagle-bearing coat of arms occupies the area above the figure, balanced by a smaller circular emblem in the upper-right corner. Below, the words “AUSTRIAN GENUINE PILSENER BEER” form a heavy typographic base. Smaller lines identify the First Pilsen Brewery and state that the beer was bottled at the brewery in Pilsen, while the lowest text draws attention to the registered brand and importer. The hierarchy is carefully judged: figure and glass attract the eye first, the product name follows, and the practical commercial information rewards closer inspection.
Context and significance
Zasche’s design demonstrates how early twentieth-century posters compressed pleasure, identity and information into a single memorable surface. Rather than presenting the bottle alone, it associates the beer with hospitality, regional costume and a flourishing natural world. Heraldic devices and registration notices communicate legitimacy; flowers and grain supply warmth; the raised glass turns consumption into a convivial public gesture.
The result is a particularly vivid example of beverage advertising before modern photographic campaigns became dominant. Its shallow space, flat areas of saturated colour and sharply separated forms were well suited to rapid viewing, yet the smaller emblems, botanical details and tiers of lettering reveal a surprisingly intricate design beneath the immediate cheerfulness.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 24x36in (60x90cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Theodor Zasche’s Austrian Genuine Pilsener Beer, created around 1910, builds its appeal around a smiling woman raising a tall glass of pale, foaming beer. Set slightly to the right of centre, she emerges from an abundant display of flowers, foliage and brewing ingredients, her white headpiece and traditional dress standing out crisply against a clear yellow ground. The composition is crowded without becoming confused: warm colour, emphatic outlines and large lettering combine to deliver the advertisement’s message with immediate theatricality.
The poster belongs to the lively commercial culture of pre-war Central Europe, when illustrated advertising was becoming an increasingly prominent part of urban visual life. Zasche, an Austrian artist working at the turn of the century, brings together decorative illustration and direct brand communication. Pilsener beer already possessed an international reputation, and the English-language wording—together with the naming of the Borneo Company Limited as sole importer—places the design within a wider network of export, distribution and overseas promotion. Its reference to Pilsen as Austrian also reflects the political geography of the period, before the dissolution of Austria-Hungary after the First World War.
A closer look
The raised glass provides the poster’s clear focal point. Fine pale highlights along its surface sharpen the impression of coolness, while the golden drink echoes the expansive yellow background. Zasche gives the woman’s face more modelling than the surrounding graphic forms: gentle shadows around her cheeks and eyes lend her presence, while the folds of her costume are simplified into broad, legible shapes. Her gesture is both a toast and a demonstration, presenting the beer as the centre of the scene.
A wooden planter stretches across the lower portion of the design, its grain and panelled surface introducing an earthy brown beneath the brighter colours above. From it rises a dense arrangement of green leaves and small pink and purple blossoms. Hops appear along the left margin, while wheat-like stalks rise at the right, framing the figure with ingredients associated with brewing. These natural forms create a decorative border, but they also connect the finished drink to cultivation and abundance.
The upper part of the poster adds a note of institutional authority. An ornate eagle-bearing coat of arms occupies the area above the figure, balanced by a smaller circular emblem in the upper-right corner. Below, the words “AUSTRIAN GENUINE PILSENER BEER” form a heavy typographic base. Smaller lines identify the First Pilsen Brewery and state that the beer was bottled at the brewery in Pilsen, while the lowest text draws attention to the registered brand and importer. The hierarchy is carefully judged: figure and glass attract the eye first, the product name follows, and the practical commercial information rewards closer inspection.
Context and significance
Zasche’s design demonstrates how early twentieth-century posters compressed pleasure, identity and information into a single memorable surface. Rather than presenting the bottle alone, it associates the beer with hospitality, regional costume and a flourishing natural world. Heraldic devices and registration notices communicate legitimacy; flowers and grain supply warmth; the raised glass turns consumption into a convivial public gesture.
The result is a particularly vivid example of beverage advertising before modern photographic campaigns became dominant. Its shallow space, flat areas of saturated colour and sharply separated forms were well suited to rapid viewing, yet the smaller emblems, botanical details and tiers of lettering reveal a surprisingly intricate design beneath the immediate cheerfulness.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 24x36in (60x90cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
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Todos mis mapas y impresiones artísticas están bien empaquetados y enviados en un tubo resistente si no están enmarcados, o rodeados de espuma si están enmarcados.
Intento enviar todos los pedidos dentro de 1 o 2 días después de recibir tu pedido, aunque algunos productos (como mascarillas, tazas y bolsas de tela) pueden tardar más en fabricarse.
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Mi marco estándar es un marco de madera de fresno negro estilo galería. Es simple y tiene un aspecto bastante moderno. Mi marco estándar tiene alrededor de 20 mm (0.8 in) de ancho.
Utilizo acrílico super claro (perspex/acrylite) para el vidrio del marco. Es más ligero y seguro que el vidrio, y se ve mejor, ya que la reflectividad es menor.
Seis colores de marco estándar están disponibles de forma gratuita (negro, marrón oscuro, gris oscuro, roble, blanco y oro antiguo).El enmarcado y montaje/matizado personalizado está disponible si buscas algo diferente.
La mayoría de los mapas, arte e ilustraciones también están disponibles como un lienzo enmarcado. Utilizamos lienzo de algodón mate (no brillante), lo estiramos sobre un marco de madera de caja de origen sostenible, y luego 'flotamos' la pieza dentro de un marco de madera. El resultado final es bastante hermoso, y no hay cristal que se interponga.
Todos los marcos se proporcionan "listos para colgar", con una cuerda o soportes en la parte posterior. Los marcos muy grandes tendrán placas de colgar de alta resistencia y/o un listón de montaje. Si tienes alguna pregunta, por favor ponte en contacto.
Mira algunos ejemplos de mis mapas enmarcados y mapas en lienzo enmarcados.
Alternativamente, también puedo proporcionar mapas antiguos y obras de arte en lienzo, tablero de espuma, papel de algodón y otros materiales.
Si deseas enmarcar tu mapa o obra de arte tú mismo, por favor lee mi guía de tamaños primero.
Trabajamos con diseñadores de interiores, empresas de hostelería, profesionales inmobiliarios, oficinas y compradores corporativos en piezas individuales y proyectos coordinados de mayor envergadura.
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- Producción local para proyectos en todo el mundo
Cada impresión artística restaurada comienza con la obra original del artista; nunca con un reemplazo generado por IA.
Nuestro estudio de Londres trabaja a partir de material de origen cuidadosamente seleccionado de museos, bibliotecas, archivos y colecciones privadas. Restauramos el deterioro por el paso del tiempo, la coloración desvaída y las imperfecciones de reproducción, preservando al mismo tiempo la composición, la pincelada, el trazo, la textura y el carácter de época del artista.
No utilizamos IA generativa para redibujar, reinterpretar ni inventar la obra. La restauración digital se emplea únicamente para recuperar y reproducir la obra original con la mayor fidelidad posible.
Una vez restaurada, la obra maestra se prepara para el tamaño y el acabado que haya elegido. Después, su pieza se imprime y, cuando se selecciona, se enmarca cerca de su destino de entrega.
Nuestras impresiones artísticas giclée utilizan papel mate de archivo libre de ácido de 200 g/m² y tintas de pigmento resistentes a la decoloración para ofrecer un acabado rico, de calidad museística. Las impresiones artísticas enmarcadas utilizan acrílico óptico cristalino y llegan listas para colgar.
También están disponibles ediciones en lienzo enmarcado y ediciones especiales sobre algodón-rag. Obtenga más información sobre nuestros materiales y acabados.
Llevamos restaurando y produciendo mapas y láminas artísticas desde 1984, y respondemos por cada pieza.
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Theodor Zasche’s Austrian Genuine Pilsener Beer, created around 1910, builds its appeal around a smiling woman raising a tall glass of pale, foaming beer. Set slightly to the right of centre, she emerges from an abundant display of flowers, foliage and brewing ingredients, her white headpiece and traditional dress standing out crisply against a clear yellow ground. The composition is crowded without becoming confused: warm colour, emphatic outlines and large lettering combine to deliver the advertisement’s message with immediate theatricality.
The poster belongs to the lively commercial culture of pre-war Central Europe, when illustrated advertising was becoming an increasingly prominent part of urban visual life. Zasche, an Austrian artist working at the turn of the century, brings together decorative illustration and direct brand communication. Pilsener beer already possessed an international reputation, and the English-language wording—together with the naming of the Borneo Company Limited as sole importer—places the design within a wider network of export, distribution and overseas promotion. Its reference to Pilsen as Austrian also reflects the political geography of the period, before the dissolution of Austria-Hungary after the First World War.
A closer look
The raised glass provides the poster’s clear focal point. Fine pale highlights along its surface sharpen the impression of coolness, while the golden drink echoes the expansive yellow background. Zasche gives the woman’s face more modelling than the surrounding graphic forms: gentle shadows around her cheeks and eyes lend her presence, while the folds of her costume are simplified into broad, legible shapes. Her gesture is both a toast and a demonstration, presenting the beer as the centre of the scene.
A wooden planter stretches across the lower portion of the design, its grain and panelled surface introducing an earthy brown beneath the brighter colours above. From it rises a dense arrangement of green leaves and small pink and purple blossoms. Hops appear along the left margin, while wheat-like stalks rise at the right, framing the figure with ingredients associated with brewing. These natural forms create a decorative border, but they also connect the finished drink to cultivation and abundance.
The upper part of the poster adds a note of institutional authority. An ornate eagle-bearing coat of arms occupies the area above the figure, balanced by a smaller circular emblem in the upper-right corner. Below, the words “AUSTRIAN GENUINE PILSENER BEER” form a heavy typographic base. Smaller lines identify the First Pilsen Brewery and state that the beer was bottled at the brewery in Pilsen, while the lowest text draws attention to the registered brand and importer. The hierarchy is carefully judged: figure and glass attract the eye first, the product name follows, and the practical commercial information rewards closer inspection.
Context and significance
Zasche’s design demonstrates how early twentieth-century posters compressed pleasure, identity and information into a single memorable surface. Rather than presenting the bottle alone, it associates the beer with hospitality, regional costume and a flourishing natural world. Heraldic devices and registration notices communicate legitimacy; flowers and grain supply warmth; the raised glass turns consumption into a convivial public gesture.
The result is a particularly vivid example of beverage advertising before modern photographic campaigns became dominant. Its shallow space, flat areas of saturated colour and sharply separated forms were well suited to rapid viewing, yet the smaller emblems, botanical details and tiers of lettering reveal a surprisingly intricate design beneath the immediate cheerfulness.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 24x36in (60x90cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.