Advokaat Vintage Liqueur Poster by Armand Rassenfosse, 1910
Obra de arte auténtica
La obra de arte que imprimimos se restaura fielmente a partir de la fuente original, normalmente un museo, biblioteca o colección privada. Nunca sustituimos, redibujamos ni inventamos la obra del artista utilizando IA generativa.
Restaurada en nuestro taller de Londres a partir de la obra original de 1910 e impresa en calidad museo. Descripción completa
La oferta del coleccionista
Elija dos obras elegibles y obtenga un 20 % de descuento en ambas. Elija tres y la de menor precio será gratuita, con un ahorro máximo del 33 %.
Combine y mezcle mapas estándar elegibles y reproducciones de bellas artes. No se requiere código; la oferta se aplica automáticamente al finalizar la compra.
Se incluyen las configuraciones estándar hechas por encargo. Quedan excluidos los tamaños a medida, los diseños personalizados y los trabajos por encargo.
¿Necesita entrega en diferentes direcciones? Contáctenos antes de realizar el pedido.La oferta del coleccionista
Elija dos obras elegibles y obtenga un 20 % de descuento en ambas. Elija tres y la de menor precio será gratuita, con un ahorro máximo del 33 %.
Combine y mezcle mapas estándar elegibles y reproducciones de bellas artes. No se requiere código; la oferta se aplica automáticamente al finalizar la compra.
Se incluyen las configuraciones estándar hechas por encargo. Quedan excluidos los tamaños a medida, los diseños personalizados y los trabajos por encargo.
¿Necesita entrega en diferentes direcciones? Contáctenos antes de realizar el pedido.
Restaurado en Londres • Impreso y enmarcado en the UK
Obra de arte auténtica
La obra de arte que imprimimos se restaura fielmente a partir de la fuente original, normalmente un museo, biblioteca o colección privada. Nunca sustituimos, redibujamos ni inventamos la obra del artista utilizando IA generativa.
Restaurado a partir de la obra original de 1910 e impreso en calidad museo. Descripción completa
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Armand Rassenfosse’s Advokaat, dating from around 1910 and catalogued more broadly to 1910–20, turns an advertisement for the Hasselt drink into an...
Seguir leyendoArmand Rassenfosse’s Advokaat, dating from around 1910 and catalogued more broadly to 1910–20, turns an advertisement for the Hasselt drink into an elegant encounter between figure and lettering. On the right, a fashionably bobbed woman in a flowing orange gown raises a small glass; opposite her, the word “ADVOKAAT” spreads across the poster in emphatic black capitals. Cream, rust, yellow and deep brown give the design a warm, concentrated palette, while the asymmetrical arrangement allows the poised figure and oversized typography to command equal attention.
Rassenfosse was a Belgian artist known for printmaking, illustration and graphic design, particularly for his refined draughtsmanship and decorative treatment of the human figure. This poster belongs to a period in which the sinuous contours and ornament associated with late Art Nouveau were giving way to the more direct visual language of twentieth-century advertising. Its place of origin is also significant: Hasselt was closely associated with Belgian distilling, and the line “Edg. Vliegen Distillerie La Rose, HASSELT” identifies the producer within that established local culture. Here, commercial information is not separated from the illustration but incorporated into a carefully staged composition.
A closer look
The woman’s dress supplies the poster’s most expansive field of colour. Its orange ground shifts through muted red and ochre, enlivened by floral ornament and fine contour lines that follow the fall of the fabric. Her pale face, dark bob and exposed arms stand out against these warmer tones. The small glass held in one hand catches a delicate highlight, making the advertised drink part of her gesture rather than merely an object placed beside her. Her composed expression and upright bearing lend the scene an air of fashionable assurance.
Across the left half, the typography establishes a second, bolder rhythm. “ADVOKAAT” is set in a large serif face whose dark letterforms contrast sharply with the light ground. Immediately below, the French phrase “garanti pur oeufs et sucre” — guaranteed pure eggs and sugar — states the drink’s defining ingredients with characteristic advertising economy. In the upper-left corner, a hand presents a bottle and glass, a compact visual demonstration that echoes the woman’s pose. The resulting diagonal exchange, from the serving hand above to the raised glass at right, animates an otherwise deliberately flat design.
Smaller lettering gathers towards the lower portion of the poster, where the distillery name and Hasselt location provide the practical details. These lines are visually subordinate but carefully integrated, leaving the principal word, figure and drink to register first. A narrow dark border contains the arrangement, while restrained decorative linework softens the transitions between text and illustration. Even the floral motifs of the gown contribute to the graphic hierarchy: intricate at close range, they resolve into a broad sweep of orange when seen from a distance.
Context and significance
Advocaat is an egg-based liqueur, and Rassenfosse’s poster communicates its richness indirectly through colour, dress and social presentation. Rather than concentrating on ingredients or production, the design associates the beverage with modern elegance and cultivated leisure. This was a central strength of early commercial poster art: a product could be made memorable through a single figure, a limited palette and lettering legible at a glance.
The poster also reveals Rassenfosse’s ability to balance decorative refinement with advertising clarity. The woman retains the supple line and patterned surface of turn-of-the-century illustration, while the assertive type and simplified blocks of colour anticipate a sharper graphic modernity. The result is both distinctly of its era and unusually disciplined—a persuasive study in how fashion, typography and gesture can make a local distillery’s name visually immediate.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Armand Rassenfosse’s Advokaat, dating from around 1910 and catalogued more broadly to 1910–20, turns an advertisement for the Hasselt drink into an elegant encounter between figure and lettering. On the right, a fashionably bobbed woman in a flowing orange gown raises a small glass; opposite her, the word “ADVOKAAT” spreads across the poster in emphatic black capitals. Cream, rust, yellow and deep brown give the design a warm, concentrated palette, while the asymmetrical arrangement allows the poised figure and oversized typography to command equal attention.
Rassenfosse was a Belgian artist known for printmaking, illustration and graphic design, particularly for his refined draughtsmanship and decorative treatment of the human figure. This poster belongs to a period in which the sinuous contours and ornament associated with late Art Nouveau were giving way to the more direct visual language of twentieth-century advertising. Its place of origin is also significant: Hasselt was closely associated with Belgian distilling, and the line “Edg. Vliegen Distillerie La Rose, HASSELT” identifies the producer within that established local culture. Here, commercial information is not separated from the illustration but incorporated into a carefully staged composition.
A closer look
The woman’s dress supplies the poster’s most expansive field of colour. Its orange ground shifts through muted red and ochre, enlivened by floral ornament and fine contour lines that follow the fall of the fabric. Her pale face, dark bob and exposed arms stand out against these warmer tones. The small glass held in one hand catches a delicate highlight, making the advertised drink part of her gesture rather than merely an object placed beside her. Her composed expression and upright bearing lend the scene an air of fashionable assurance.
Across the left half, the typography establishes a second, bolder rhythm. “ADVOKAAT” is set in a large serif face whose dark letterforms contrast sharply with the light ground. Immediately below, the French phrase “garanti pur oeufs et sucre” — guaranteed pure eggs and sugar — states the drink’s defining ingredients with characteristic advertising economy. In the upper-left corner, a hand presents a bottle and glass, a compact visual demonstration that echoes the woman’s pose. The resulting diagonal exchange, from the serving hand above to the raised glass at right, animates an otherwise deliberately flat design.
Smaller lettering gathers towards the lower portion of the poster, where the distillery name and Hasselt location provide the practical details. These lines are visually subordinate but carefully integrated, leaving the principal word, figure and drink to register first. A narrow dark border contains the arrangement, while restrained decorative linework softens the transitions between text and illustration. Even the floral motifs of the gown contribute to the graphic hierarchy: intricate at close range, they resolve into a broad sweep of orange when seen from a distance.
Context and significance
Advocaat is an egg-based liqueur, and Rassenfosse’s poster communicates its richness indirectly through colour, dress and social presentation. Rather than concentrating on ingredients or production, the design associates the beverage with modern elegance and cultivated leisure. This was a central strength of early commercial poster art: a product could be made memorable through a single figure, a limited palette and lettering legible at a glance.
The poster also reveals Rassenfosse’s ability to balance decorative refinement with advertising clarity. The woman retains the supple line and patterned surface of turn-of-the-century illustration, while the assertive type and simplified blocks of colour anticipate a sharper graphic modernity. The result is both distinctly of its era and unusually disciplined—a persuasive study in how fashion, typography and gesture can make a local distillery’s name visually immediate.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
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Elija una opción enmarcada para el regalo más sencillo, listo para colgar, o elija una lámina sin enmarcar si el destinatario prefiere seleccionar su propio marco.
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- Podemos entregar directamente al destinatario
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Si no está seguro de qué elegir, por favor contáctenos. Podemos ayudarle a escoger el mapa, tamaño, acabado u opción de entrega adecuados.
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Tenga en cuenta que los pedidos enmarcados muy grandes suelen tardar más en fabricarse y entregarse.
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Todos mis mapas y impresiones artísticas están bien empaquetados y enviados en un tubo resistente si no están enmarcados, o rodeados de espuma si están enmarcados.
Intento enviar todos los pedidos dentro de 1 o 2 días después de recibir tu pedido, aunque algunos productos (como mascarillas, tazas y bolsas de tela) pueden tardar más en fabricarse.
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La entrega al día siguiente también está disponible en algunos países (EE. UU., Reino Unido, Singapur, EAU), pero por favor intenta hacer tu pedido temprano en el día para que podamos enviarlo a tiempo.
Mi marco estándar es un marco de madera de fresno negro estilo galería. Es simple y tiene un aspecto bastante moderno. Mi marco estándar tiene alrededor de 20 mm (0.8 in) de ancho.
Utilizo acrílico super claro (perspex/acrylite) para el vidrio del marco. Es más ligero y seguro que el vidrio, y se ve mejor, ya que la reflectividad es menor.
Seis colores de marco estándar están disponibles de forma gratuita (negro, marrón oscuro, gris oscuro, roble, blanco y oro antiguo).El enmarcado y montaje/matizado personalizado está disponible si buscas algo diferente.
La mayoría de los mapas, arte e ilustraciones también están disponibles como un lienzo enmarcado. Utilizamos lienzo de algodón mate (no brillante), lo estiramos sobre un marco de madera de caja de origen sostenible, y luego 'flotamos' la pieza dentro de un marco de madera. El resultado final es bastante hermoso, y no hay cristal que se interponga.
Todos los marcos se proporcionan "listos para colgar", con una cuerda o soportes en la parte posterior. Los marcos muy grandes tendrán placas de colgar de alta resistencia y/o un listón de montaje. Si tienes alguna pregunta, por favor ponte en contacto.
Mira algunos ejemplos de mis mapas enmarcados y mapas en lienzo enmarcados.
Alternativamente, también puedo proporcionar mapas antiguos y obras de arte en lienzo, tablero de espuma, papel de algodón y otros materiales.
Si deseas enmarcar tu mapa o obra de arte tú mismo, por favor lee mi guía de tamaños primero.
Trabajamos con diseñadores de interiores, empresas de hostelería, profesionales inmobiliarios, oficinas y compradores corporativos en piezas individuales y proyectos coordinados de mayor envergadura.
Esta obra puede adaptarse a una pared, estancia o proyecto concretos, y nuestro taller puede ayudar a coordinar las dimensiones, el material y el enmarcado antes de la producción.
- Dimensiones exactas, sobredimensionadas y a medida
- Enmarcado, montaje y materiales alternativos personalizados
- Piezas coordinadas para varias estancias o ubicaciones
- Personalización de la obra, para ajustar el color y el estilo de la pieza
- Asesoramiento sobre la obra y el enmarcado por parte de nuestro taller
- Producción local para proyectos en todo el mundo
Cada impresión artística restaurada comienza con la obra original del artista; nunca con un reemplazo generado por IA.
Nuestro estudio de Londres trabaja a partir de material de origen cuidadosamente seleccionado de museos, bibliotecas, archivos y colecciones privadas. Restauramos el deterioro por el paso del tiempo, la coloración desvaída y las imperfecciones de reproducción, preservando al mismo tiempo la composición, la pincelada, el trazo, la textura y el carácter de época del artista.
No utilizamos IA generativa para redibujar, reinterpretar ni inventar la obra. La restauración digital se emplea únicamente para recuperar y reproducir la obra original con la mayor fidelidad posible.
Una vez restaurada, la obra maestra se prepara para el tamaño y el acabado que haya elegido. Después, su pieza se imprime y, cuando se selecciona, se enmarca cerca de su destino de entrega.
Nuestras impresiones artísticas giclée utilizan papel mate de archivo libre de ácido de 200 g/m² y tintas de pigmento resistentes a la decoloración para ofrecer un acabado rico, de calidad museística. Las impresiones artísticas enmarcadas utilizan acrílico óptico cristalino y llegan listas para colgar.
También están disponibles ediciones en lienzo enmarcado y ediciones especiales sobre algodón-rag. Obtenga más información sobre nuestros materiales y acabados.
Llevamos restaurando y produciendo mapas y láminas artísticas desde 1984, y respondemos por cada pieza.
Todos los pedidos están cubiertos por nuestra garantía de 10 años y nuestra garantía de entrega sin daños. Si su pieza llega dañada, la sustituiremos o la volveremos a producir sin cargo alguno. Si cualquier otro aspecto no es correcto, contacte con nuestro equipo de taller y lo resolveremos con prontitud.
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Armand Rassenfosse’s Advokaat, dating from around 1910 and catalogued more broadly to 1910–20, turns an advertisement for the Hasselt drink into an elegant encounter between figure and lettering. On the right, a fashionably bobbed woman in a flowing orange gown raises a small glass; opposite her, the word “ADVOKAAT” spreads across the poster in emphatic black capitals. Cream, rust, yellow and deep brown give the design a warm, concentrated palette, while the asymmetrical arrangement allows the poised figure and oversized typography to command equal attention.
Rassenfosse was a Belgian artist known for printmaking, illustration and graphic design, particularly for his refined draughtsmanship and decorative treatment of the human figure. This poster belongs to a period in which the sinuous contours and ornament associated with late Art Nouveau were giving way to the more direct visual language of twentieth-century advertising. Its place of origin is also significant: Hasselt was closely associated with Belgian distilling, and the line “Edg. Vliegen Distillerie La Rose, HASSELT” identifies the producer within that established local culture. Here, commercial information is not separated from the illustration but incorporated into a carefully staged composition.
A closer look
The woman’s dress supplies the poster’s most expansive field of colour. Its orange ground shifts through muted red and ochre, enlivened by floral ornament and fine contour lines that follow the fall of the fabric. Her pale face, dark bob and exposed arms stand out against these warmer tones. The small glass held in one hand catches a delicate highlight, making the advertised drink part of her gesture rather than merely an object placed beside her. Her composed expression and upright bearing lend the scene an air of fashionable assurance.
Across the left half, the typography establishes a second, bolder rhythm. “ADVOKAAT” is set in a large serif face whose dark letterforms contrast sharply with the light ground. Immediately below, the French phrase “garanti pur oeufs et sucre” — guaranteed pure eggs and sugar — states the drink’s defining ingredients with characteristic advertising economy. In the upper-left corner, a hand presents a bottle and glass, a compact visual demonstration that echoes the woman’s pose. The resulting diagonal exchange, from the serving hand above to the raised glass at right, animates an otherwise deliberately flat design.
Smaller lettering gathers towards the lower portion of the poster, where the distillery name and Hasselt location provide the practical details. These lines are visually subordinate but carefully integrated, leaving the principal word, figure and drink to register first. A narrow dark border contains the arrangement, while restrained decorative linework softens the transitions between text and illustration. Even the floral motifs of the gown contribute to the graphic hierarchy: intricate at close range, they resolve into a broad sweep of orange when seen from a distance.
Context and significance
Advocaat is an egg-based liqueur, and Rassenfosse’s poster communicates its richness indirectly through colour, dress and social presentation. Rather than concentrating on ingredients or production, the design associates the beverage with modern elegance and cultivated leisure. This was a central strength of early commercial poster art: a product could be made memorable through a single figure, a limited palette and lettering legible at a glance.
The poster also reveals Rassenfosse’s ability to balance decorative refinement with advertising clarity. The woman retains the supple line and patterned surface of turn-of-the-century illustration, while the assertive type and simplified blocks of colour anticipate a sharper graphic modernity. The result is both distinctly of its era and unusually disciplined—a persuasive study in how fashion, typography and gesture can make a local distillery’s name visually immediate.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.